(14.03.08) CKT presents Les Miserables HCT
Clater-Kaye Theatreworks is presenting Victor Hugo's Les Miserables at the Charles Jeffers Theatre. "Les Miz'" is a universal story of entrapment and redemption and has been considered one of the greatest stories ever told.
First published in 1862, Les Miz' generated more excitement than any book in the history of publishing. It has been translated into nearly every language and has become one of the best selling books in history.
Theatrical producer Cameron Mackintosh brought the musical version to London and then to Broadway where it became the third longest running show in Broadway history. In fact, since it opened on Broadway in 1987, over 400 shows have closed on Broadway.
Directed by Lesia and Robert Clater. Music direction by Jeff Hartman.
Tickets:
On sale now by calling Clater-Kaye Theatreworks at 828-294-2582 or visit claterkayetheatreworks.com for more information.
Clater-Kaye Theatreworks presents Les Miserables
Hickory Community Theatre
30 Third St. NW
Hickory, NC 28601
828-327-3855
hct.org
claterkayetheatreworks.com
Performances:
7:00 pm Fridays & *Saturday, March 28 & 29
3:00 pm Sunday, March 30
*Saturday's ticket price includes pre-show Q&A with special celebrity guests Michael Vodde and Fuschia Walker. Mr Vodde starred in the national touring company of Les Miz', and Ms. Walker starred on Broadway as Mme. Thenardier. She also starred as Effie in Dreamgirls and Raifiki in The Lion King.
(12.08.07) CKT Christmas Party
I will be performing for the cast and crew of Clater-Kaye Theatreworks on Saturday, 12/15 at the Brookford Community Center Auditorium from 5 pm featuring Forrest Brown on bass, Phill Kirby on drums and Phillip Whack on sax.
It's a floating potluck dinner, so bring your best dish, dessert, or non-alcoholic beverage. The party is free, but we do ask that each person bring some canned or dry goods that we can donate to the Food Pantry.
Students will be performing throughout the course of the evening. This is an informal performance. Some classes will be presenting dances they have been learning and voice students will be singing their favorite songs. Please join us for fun, food, fellowship!
Clater-Kaye Theatreworks Christmas Party
Saturday, 12/15/2007 Brookford Community Center Auditorium from 5 pm
1700 S. Center St.
Brookford, NC 28601
claterkayetheatreworks.com
(09.17.07) Clater Kaye Theatreworks
I am very pleased to announce my work as an instructor for Lesia Kaye and Robert Clater at Clater Kaye Theatreworks in Mountain View, NC. More information about classes and scheduling can be found at claterkayetheatreworks.com
(09.07.07) American Idol & Chicago
Not only did my awesomely, awesome wife Carol Anne Hartman kick major ass at her American Idol audition in Charleston, SC, she's starring as "Roxie Hart" in HCT's production of "Chicago." Get your tickets while they're hot! hct.org
(08.18.07) World's Biggest Shortcut
Pictures of Carol Anne's American Idol audition in Charleston, SC, or as I like to call it, "World's Biggest Shortcut," have been uploaded and are available to view online. view
(08.11.07) Best Ensemble
Congrats to my friends and the company of Streets of Hickory for earning "Best Ensemble" at this year's Kay Awards ceremony. In a letter to Julia Rush, director John Coffey expressed his gratitude.
"I am so proud of you (again!), although I am not surprised. I agree that the Ensemble Award carries a lot of meaning as well. I have been remiss in letting all of you 'Streeters' know how very grateful I am for all of your hard work and participation. I recently received my copy of the CD and although I have only gotten as far as 'Circulation,' I am very proud of the work displayed there. Please convey my congratulations to all of the other cast members as well as L.A., Charlton and all of the crew! I believe John Rambo also got an award as well, so please give him my congratulations also. I honestly thought we could not do it again, but apparently we not only did it, but we got some awards for it! Three cheers!!! Much love and congrats!
P.S. - I am still in PA. Have done 'Mack the Knife,' 'Made in America,' 'Fiddler' and am now musically directing and playing Uncle Stanley in 'Smoke on the Mountain - Homecoming.' And all of this since June 11. :-)"
(05.27.07) Taste of Charlotte
Ginormous thanks to all of the folks who turned out for the "Jeff on Tap"
performance at the Olde Hickory Tap Room. If our estimates are correct, we
packed approximately one hundred peeps in there! Respect the Peeps!
I'll be appearing at Taste of Charlotte (Tavern at the Taste stage) on Sunday,
6/3 from 2 pm to 5:30 pm featuring Phillip Whack (Taken Back) on sax.
Sunday, 6/3/2007 Taste of Charlotte CHARLOTTE, NC from 2 pm
Tavern at the Taste
tasteofcharlotte.com
The festival spans six city blocks from First Street to Sixth Street. Located on
Tryon Street between Fifth and Sixth, Tavern at the Taste is the place to be!
(05.17.07) Jeff on Tap
Hi, Peeps! I'll be returning to Olde Hickory Tap Room in Hickory on Thursday,
5/24 from 9:30 pm featuring "other brothers" (see community page) Brian Burton
(Cast Iron Filter notoriety), Scott McCloud (Hipshack), Jeremy Shaw (Full Grown)
and Phillip Whack (Taken Back). Please come out and support these phenomenal
musicians whenever and wherever you get the chance.
The Tap Room and other Hickory events have been hometown staples for me and my
bands. I've been fortunate enough to maintain a healthy working relationship
with the city of Hickory having performed such events as Hickory Alive,
Oktoberfest, Hickory Arts Festival, Hickory Community Theatre's Vacation
Extravaganza and Lenoir-Rhyne's Walk to Cure Diabetes fundraiser for the
Juvenile Diabetes Research Foundation with a variety of great backing musicians
including Hickory's own Rick Cline. I'm told we had the largest Hickory Alive
draw for 2005! I mention this only because it's a good feeling knowing you have
that hometown support when you return from a long, lonely stint on the road.
It's the local and hometown performances that touch me the most.
The past year has been amazing. In 2006, my friends and I appeared with Steely
Dan and Michael McDonald at Verizon Wireless Amphitheater and with Universal
recording artist Natalie at Charlotte Bobcats Arena (something we still laugh
about). Other notable '06 appearances, mostly with Brian and Scott (Hipshack),
include Carolina Panthers Bank of America Stadium, the J.E. Broyhill Civic
Center Hometown/Homegrown Showcase, 107.9 FM The Link Live Music Lunch at
Wachovia Plaza in Charlotte, the Biltmore Estate, Lowe's Motor Speedway,
Paramount's Carowinds and the Charlotte Coliseum. The band also earned the honor
of being acknowledged in Modern Bride Magazine as one of 150 best bands for hire
in the United States.
God, family, friends and fans. In that order! I couldn't do what I do without
such a strong support system. Thank you. It's difficult making a career out of
setting your experiences to music and selling it. It's by God's grace that I've
been able to do it for so long, especially with the love and support of my wife.
Olde Hickory Tap Room makes you feel right at home with great food, great
service and a warm and friendly atmosphere. The Tap Room proudly presents the
very best and freshest beers in North Carolina from Olde Hickory Brewery. Olde
Hickory Tap Room is home to "Jazz on Tap," presented by Rick Cline every Sunday
evening from 8 pm.
Thursday, 5/24/2007 Olde Hickory Tap Room HICKORY, NC from 9:30 pm
222 Union Square
Downtown Hickory, NC 28601
828-322-1965
oldehickorybrewery.com
Brian Burton on drums is a graduate of Berklee College of Music; acting "Head of
Drum Instruction" at RIT Music in Grand Rapids, MI; Studied with Dave DiCenso,
Rod Morgenstein, and Kenwood Dennard; awarded the NHCMA Rising Star
Instrumentalist of the Year for his work with Brooke Starr in 1999
brianburtondrummer.com
Jeff Hartman on keys/vox is an ASU alumnus. Jeff has worked professionally as a
musician for over a decade in Hickory and surrounding areas, having appeared in
recent years with Steely Dan and Michael McDonald at Verizon Wireless
Amphitheatre. Hartman just wrapped production on John Coffey's revival of
"Streets of Hickory" on the heals of earning Best Actor in competition at the
2006 North Carolina Theatre Conference for his stage work in "I Love You, You're
Perfect, Now Change." He is currently finishing his third solo studio album and
reprising his 1997 Green Room role as Bill Sykes in "Oliver!" for director Cathy
Stallings and Creative Arts Shoestring Theatre.
jshartman.com
Scott McCloud on bass earned a Masters of Music in Jazz Studies from University
of North Texas in 1998, Bachelors of Music in performance from Winthrop
University in 1994; Down Beat Magazine Student Award for Best Jazz Instrumental
Soloist in 1993
scottmccloud.net
Jeremy Shaw on guitar is a performing, recording, and songwriting artist based
in Charlotte, NC having studied composition and performance at Berklee College
of Music in Boston.
jeremyshaw.com
Phillip Whack on saxophone completed jazz studies at Brevard College eventually
touring with the Glenn Miller Orchestra throughout the continental United States
and Japan. Whack returned to Columbia in 2004 then Charlotte in 2006 and has
been performing regionally.
God bless you and thank you for supporting performing arts. I can't say it
enough.
(05.03.07) Creative Arts Shoestring Theatre
Jeff is reprising his role as Bill Sykes in "Oliver!" from May 10 for director
Cathy Stallings and Creative Arts Shoestring Theatre. Come be charmed by this
beloved classic. Delight again with all of the engaging characters from this
family favorite; the Artful Dodger, Fagin, the menacing Bill Sykes, the
kind-hearted Nancy, loveable Bet and, of course, Oliver. Journey with our hero
as he becomes entangled in a scenario of mystery, thievery and vengeance,
accompanied by the wonderful songs and music by Lionel Bart including "Food,
Glorious Food!," "Consider Yourself," "Who Will Buy?," "Oom Pah Pah," "I’m
Reviewing the Situation," and "As Long as He Needs Me" (recently featured on
American Idol by Melinda Doolittle). Rated PG
"Oliver!" features Aaron Lewis as Fagin, John David Crosby as Oliver, Tate
Waddell as the Artful Dodger, Linda Campbell as Nancy, Jeff Hartman as Bill
Sykes, Kenzie Simpson as Bet, Terry Evans as Mr. Bumble, Stephanie Kelly as
Widow Corney, Ben Honeycutt as Mr. Sowerberry, Anne Wepner as Mrs. Sowerberry,
Anna Melnyck as Charlotte, Stephen Wright as Noah, Peter Melnyk as Charlie
Bates, David Crosby as Mr. Brownlow, Emma Highland as Mrs. Bedwin and Dennis
Kevitt as Dr. Grimwig; Directed by Cathy Stallings and Musical Director Cathy
Banner.
Oliver!
Creative Arts Shoestring Theatre
332 1st Avenue SE
Hickory, NC 28602
828-328-CAST
casthickory.com
Performances:
7:30 pm Thursdays, Fridays & Saturdays, May 10, 11, 12, 17, 18, 19
2:30 pm Sundays, May 13 & 20
Adults $10, Youth (18 and Under) $5
(04.26.07) Jeff Hartman and Brian Burton do Summit
Hi, Peeps! Brian Burton and I will be doing Summit, acoustic this Thursday in
Davidson from 8 pm. Summit was named Charlotte's "Best Hangout." The unique
atmosphere of coffee-shop-meets-wine-bar-meets-tavern-meets-music-venue at
Summit continues to draw attention and accolades in the region. Charlotte's
entertainment newspaper acknowledged Summit Coffee as the best after-dark,
college hang-out, citing the commitment to excellent live music, the great
selection of beer and wine and the overall good vibes of this java joint. So,
please come check Summit out in the evenings. There's live music Thursday,
Friday and Saturday of every week. Bring the kids! It's a family place!
Davidson is an active community on a thriving Main Street. It is located on Lake
Norman in Mecklenburg County, North Carolina. Davidson College is one of the
nation's top-rated liberal arts colleges and the town's namesake. 1,750 students
populate the campus from late August to early May turning the town into a
youthful, busy community.
Thursday, 5/3/2007 Summit Coffee DAVIDSON, NC from 8 pm
Jeff Hartman and Brian Burton
128 South Main Street
Davidson, NC 28036
704-895-9090
summitcoffee.com
brianburtondrummer.com
jshartman.com
God bless you and thank you for supporting performing arts!
(04.19.07) The Evening Muse
A trio of Carolina-based songsters will comprise the early show at The Evening
Muse in Charlotte on April 26 from 8 pm. Tickets are only $5 and available in
advance!
Heidi Sidelinker is a woman of many loves and passions, but music is where she
feels most at home. Raw lyrics combined with her ability to reach through a wide
range of sound with her voice births a beautiful realness for everyone to cling
to. Sidelinker leaves you feeling unlocked inside after each and every song. Her
key is the undeniable marriage she has with her heart and her feelings. It's
enough to humble the vain and blossom the wilting when she performs. Heidi,
along with "Willoe," her twelve-string guitar, can suck you into remembering
that the universe has a path for us all and if we listen to our gut and walk
through life with our hearts guiding the way, we can find a balance in the
beauty of change. Sidelinker has released two solo albums "Dreamtime" and
"Poetry Essence and Romance." She has also released an album with Josh Pender as
"Autumn in August" which is available at any Autumn in August performance. Heidi
toured coast-to-coast with New York-based band "Lowry" in 2006. She regularly
travels to New York, performing and taking mini-tours with Lowry throughout the
year. Heidi also tours with Carolina-based band, "The New Familiars."
Billy Jones has been making his way across the Carolinas with a six-string and a
suitcase full of well-crafted tunes for the better part of the last decade.
Whether he's performing solo or with his dynamite trio, Jones always delivers
with danceable rhythms and an intimate delivery that makes every venue a living
room. A native of the North Carolina Piedmont, Jones pens songs that reflect the
deep musical roots of the south and beyond. Equal parts folk and rhythm & blues,
his songs paint streetscapes of downtown Americana and offer reflections of a
journey well-traveled. His debut album, "Without A Fight" has caught airplay
around the southeast and has garnered some solid reviews. But for Jones, playing
live has always been his bread and butter. After hawking and honing his sounds
for the last ten years, Jones puts on a show that is as unique as it is
memorable.
Many distinct music personalities yield a single sound; sometimes rock,
sometimes pop, sometimes jazz, sometimes folk, other times funk, with soaring
vocals laced together with melodies that never leave you. Nevertheless, it can
only be described as Jeff Hartman's eclectic blend. In the tradition of Bruce
Hornsby and Dave Matthews, Jeff has carved out an impressive place for himself
on the live music circuit, having appeared with a variety of musicians, also as
"Scott Jeffrey's Band," approximately 200 dates yearly for nearly a decade in
Charlotte and surrounding areas. Jeff most recently closed production on John
Coffey's "Streets of Hickory," an original musical on the heals of earning Best
Actor in competition at the 2006 North Carolina Theatre Conference for his stage
work in "I Love You, You're Perfect, Now Change." A published poet and
influenced in equal parts by folk and funk artists alike, Jeff's songs are a mix
of "dazed beauty and bitter-sweetness." Here are tales of abuse and misuse, of
vulnerability and resolve; poetic trances like the Appalachia-esque "Erica's
Song" and the biographical "Northern Accent." Hartman has most notably appeared
in recent years with Steely Dan, Michael McDonald and the Allman Bros. Band.
Jeff is currently wrapping up his third solo studio album.
*Hartman and Sidelinker are both Hickory natives, having appeared together
through the years on various occasions.
"The Evening Muse, the perfect setting for an intimate folk scene, is usually
the quietest of Charlotte's rooms. Listeners actually come to hear music and
that music is usually good. While home to local artists like The Near Misses and
Poprocket, the Muse also welcomes cutting-edge songwriters like Martha
Wainwright, sister of Rufus Wainwright, and witty British folkie Martin
Stephenson." - Courtney Devores,
Charlotte.com
The Muse brings acoustic music and much more to Charlotte in a great-sounding
room. Excellent original artwork on the walls, a great selection of beer and
wine, and music from some of the finest local and regional talent. The Muse is
located in the NoDa Arts District in Historic North Charlotte, a great
neighborhood with a diverse mix of galleries, shops, restaurants and homes.
While The Muse is a non-smoking venue, smoking is permitted outdoors in front of
and alongside the building. All concerts and events are open to all ages unless
otherwise specified.
Thursday, 4/26/2007 Evening Muse CHARLOTTE, NC from 8 pm
The Early Show featuring Heidi Sidelinker, Billy Jones and Jeff Hartman
3227 N. Davidson St.
Charlotte, NC 28205
704-376-3737
theeveningmuse.com
heidismusic.net
billyjones.net
jshartman.com
Tickets are $5 and available in advance!
God bless you and thank you for supporting performing arts.
(04.16.07) From The Visulite to Paramount's Carowinds
Hi, Peeps! Wow! What an amazing week. It all begins with The Visulite Theatre on
Thursday. I am so blessed and absolutely honored to be splitting the bill with
the fantabulous Jeremy Shaw, and we've the pleasure of featuring Hipshack.
Advance tickets are still available. More information about Jeremy can be found
at jeremyshaw.com.
Further information about Hipshack and the other incredible musicians involved
can be found at hipshack.com
and
brianburtondrummer.com.
The Visulite Theatre is one of the best places to enjoy live, original music in
Charlotte and is located on the edge of Uptown Charlotte within five minutes of
both I-77 and I-85, in the heart of the historic Elizabeth Community.
Friday continues with a break from the norm with an intimate, acoustic duo
performance at The Wine Room at Afton Village in Concord with friend and
percussionist Brian Burton.
Saturday book ends with a performance I look forward to every year. The Walk to
Cure Diabetes for the Juvenile Diabetes Research Foundation at Paramount's
Carowinds. This is something I am very proud to have been a part of for several
years, now. If you have an opportunity, please register to walk this week and
help contribute to the cause. The boys and I will take to the stage at
approximately 10 am. Event details courtesy of Carowinds can be found at the
following link.
http://www3.paramountparks.com/carowinds/events/event_detail.cfm?event_id=81&ec_id=11
God bless you and thank you for supporting performing arts!
(04.05.07) The Visulite Theatre
I am pleased to announce that I will be splitting the bill with Jeremy Shaw,
featuring Hipshack at The Visulite Theatre on April 19 from 9 pm. Order your
tickets now!
More information about Jeremy can be found at
jeremyshaw.com. Further
information about Hipshack and the other incredible musicians involved can be
found at hipshack.com and
brianburtondrummer.com.
Jeremy Shaw is a performing, recording, and songwriting artist based in
Charlotte, NC. He blends a wide variety of styles and traditions into his own
unique sound. His guitar work ranges from acoustic fingerstyle to angular modern
jazz. Jeremy studied composition and performance at the Berklee College of Music
in Boston. He has worked professionally with numerous acts and musicians
throughout the north and southeast for over fifteen years. Jeremy has extensive
studio recording experience and appears on many CD releases. He maintains a
sizable student roster in Charlotte, NC.
Thursday, 4/19/2007 The Visulite Theatre CHARLOTTE, NC 9 pm
Jeff Hartman from 9 pm, Jeremy Shaw from 10:30 pm
featuring Hipshack
1615 Elizabeth Avenue
Charlotte, NC 28204
704-358-9200
visulite.com
Tickets are $7
(04.04.07) Meeting in this special way...
Courtney Bissette (Lola) How on Earth Courtney managed to juggle tax season as
an accountant, modeling, a seven-year-old daughter, a relationship, a John
Coffey musical and a broken arm demonstrates talent, commitment and drive!
John Coffey (Director) John is my Sondheim. John knows what that means.
Joni Coppinger (Val) Joni reminded me how important it is to enjoy “the
process.” I’m a fan. I hope I’m never seen through the eyes of her Meter Maid!
Julie Huffman (Natalie) John had Julie cryogenically frozen and preserved
following the original 1987 production in the event that there would be a
revival of Streets of Hickory at some point. I have never enjoyed nonverbally
interacting with someone on stage as much as I have Julie!
Ralph Mangum (David Verbage) As many area productions as Ralph and I have
participated in over the years, somehow we've always managed to avoid doing one
together. “Worlds are colliding, Jerry!”
Joy Mease (Company Manager) I can't imagine a John Coffey production without a
Joy Mease! She's the best wife John will never have! Joy always manages to find
exactly the right moment to say exactly the right thing.
Carmen Phaup (Julie East) I have never been told I look more uncomfortable on
stage with someone that I have never felt more comfortable with on stage! It has
been a pleasure "exchanging glances back and forth" with Carmen.
Edyth Pruitt (Choreographer) Choreography + Jeff Hartman = disaster. But Edyth
manages to bring out the best in all of us!
John Rambo (Hicktel Clerk) It's been a blast getting to know John. Besides his
admirable focus and Hicktel, “of course,” my favorite moment on stage with John
was during "The Nightmare" when John Rambo vocals float in and out as he travels
through our lifeless, frozen poses!
Sarah Reidland (Liza) My sparring partner! Sarah is one of the funniest, most
talented 18-year-olds I have ever met in my life. If this girl doesn't pusue
some sort of performance-oriented career, I'm gonna chain myself to a water
tower and fast in protest. Tiny Plaid Ninjas! Keep in touch from Texas!
Zachary Roe (Josh) Zach has a bright theatre career ahead of him. He is a
sweetheart and the best male cheerleader in Hickory. I don’t have anything nice
to say about Josh.
Julia Rush (Julia) I looked up “incomparable” in the thesaurus and just decided
to list every synonym; all-time, incommensurable, matchless, nonpareil, one, one
and only, peerless, uncomparable, unequaled, unequalled, unique, unmatchable,
unmatched, unparalleled, unrivaled, unrivalled.
Chris Sepulveda (Hickory Daily Record Man) It’s been a long time since I've met
someone with as much passion and love for musical theatre as Chris. It was
refreshing and inspiring.
Tyrell Shelton (Minister) Sweet moves! I only hope Ty remembers the rest of us
when he tours with Rent!
Christa Shuford (Sharon Hassell) Soul sista'. Enough said. We shall meet again.
Marny Taber (Nancy Mitchell) Marny lights up the room and the stage. She has the
most amazing eyes and I feel completely at home when I'm around her.
Stephen Thigpen (Sound) There's nothing I look forward to more than getting
strapped in, taped up and turned on by ST.
Sten Wall (Stage Manager) Sten is the man.
Kevin Wilcox (Steve Stawsh) The carnage! I would never guess Streets of Hickory
was Kevin's first theatre production. Kevin reminded me how special performing
for your folks can be.
I often say I regret there wasn't more time to get to know some folks as well as
others, including crew and musicians. Only more reason to remain involved with
community theatre and keep in touch with those you meet as much as life will
allow. Thank you all for such a wonderful experience.
They told me I was "New Guy," but I got more than what I had originally
bargained for!
(19.03.07) What is Hickory
John Coffey's Streets of Hickory continues to be "the subject of a media blitz"
for Hickory Community Theatre. Click
here to read more about the production in the Hickory Daily
Record. Podcasts and video clips are available courtesy of Josh Yoder. You can
also tune in this Friday morning to 1290 WHKY Talk Radio's First Talk with Hal
Row as I join John and repriser Julie Kettner Huffman in a discussion with Hal
about the show.
Special thanks to Barbara Burns and The Outlook, a publication of The Observer
News Enterprise, for highlighting my dedication to Buzz Atwood. More thanks to
Julia Rush, Joy Rodgers and all those involved with uniting the original 1987
cast with the new and to Hickory City Mayor G. Rudy Wright, Jr. for declaring
March 16 "Streets of Hickory Day!" Congratulations, John!
more
(12.03.07) John Coffey's Streets of Hickory
Streets of Hickory opens Friday, March 16 from 8 pm at Hickory Community
Theatre! It's been an honor and a privilege working with John again. Some of you
may know that John first cast me opposite my wife at The Green Room in 1996
which ultimately led to our marriage and three kids! It's all his fault! Carol
Anne and I eventually wed on stage in the Charles E. Jeffers Theatre of HCT in
2000.
I want to personally dedicate my part in the show to James "Buzz" Atwood. Buzz
is a father, a husband, an actor, a singer, a director, a teacher, a friend and
a mentor. Buzz lobbied for me and helped "get me in circulation" succeeding
college. One of my fondest experiences was as music director for Buzz and his
production of Little Shop of Horrors at Foothills Performing Arts in 1995. I
can't say enough about Buzz and enough can't be said. Buzz appeared in the
original production of Streets of Hickory.
John Coffey's Streets of Hickory was originally performed on the Hickory
Community Theatre stage in 1987. To celebrate the 20th anniversary of its debut,
HCT and Coffey responded to overwhelming requests to bring the show back to the
stage. It's a period piece with a few added surprises.
The show features a new employee in a company orientation program. The musical
explains unique Hickory phenomena such as its world renowned street system,
social politics and just "What is Hickory." It's a musical look at Hickory
through the eyes of a newcomer to the "city."
Coffey, who resides in New York City, worked with the touring company of Rent.
Currently, he is touring with Marion J. Caffey's 3 Mo' Divas , which is a
theatrically staged concert in the tradition of Ain't Misbehavin'.
Streets of Hickory features 20 musical numbers and a cast of 15. The
incomparable Julia Rush reprises her role as herself! Others in the cast include
Carmen Phaup, Chris Sepulveda, Joni Coppinger, Christa Shuford, Ty Shelton,
Julie Huffman, Sarah Reidland, Zach Roe, John Rambo, Kevin Wilcox, Courtney
Bissette, Ralph Mangum and Marny Taber.
Coffey, who was artist in residence in 1982-1983 with the United Arts Council of
Catawba County, is in residence with HCT and the the UAC for a two-month period
traveling to schools throughout the county to teach the children about music.
Coffey is also working with HCT's Youth Theatre Academy, writing a musical which
will be performed one day only on March 24.
I am always in awe and discovery of John Coffey. I first wrote about John in May
of 2000 (below), following an incredible Green Room production of Godspell prior
to his return to New York. My tribute to John remains posted on this page.
In other news, I will be splitting the bill with Jeremy Shaw at The Visulite in
full armor on April 19 from 9 pm then unplugged with Billy Jones and Heidi
Sidelinker at The Evening Muse on April 26 from 8 pm. Order your tickets now!
Please visit my profile on
FolkAlley.com
to hear and rate your favorite Jeff tunes!
"All music is folk music. I ain't never heard a horse sing a song." Louis
Armstrong
Streets of Hickory
A Musical Performed on the Mainstage
Directed by John Coffey
Hickory Community Theatre
30 Third St. NW
Hickory, NC 28601
828-327-3855
hct.org
Performances:
8:00 pm Fridays & Saturdays, March 16, 17, 23, 24, 30 & 31
7:30 pm Thursdays, March 22 & 29
2:30 pm Sunday, April 1
7:30 pm Tuesday & Wednesday, April 3 & 4 at Lenoir-Rhyne College
Tickets: $16 adults; $14 seniors/students; $7 ages 18 and younger. Thursday
performances are $10 adults/seniors. March 22 is Ladies Night.
Thursday, 4/19/2007 The Visulite CHARLOTTE, NC from 9 pm
Appearing with Jeremy Shaw
1615 Elizabeth Avenue
Charlotte, NC 28204
704-358-9200
visulite.com
Tickets are $7
Thursday, 4/26/2007 The Evening Muse CHARLOTTE, NC from 8 pm
Appearing with Heidi Sidelinker and Billy Jones
3227 N. Davidson St.
Charlotte, NC 28205
704-376-3737
theeveningmuse.com
Tickets are $5
Click here
for more tour dates!
God bless you and thank you for supporting performing arts!
(05.02.07) Streets of Hickory
I am thrilled to announce that I am currently working with esteemed music
director John Coffey on an original musical called "Streets of Hickory." John is
based in New York and recently worked with the touring company of "Rent." John
is working briefly in residence for Hickory Community Theatre.
The show features a new employee subjected to the company's employee orientation
program which tries to explain Hickory phenomena such as its world renowned
street system and social politics. Additional performances are expected in
collaboration with Lenoir-Rhyne College. Book, music & lyrics by John Coffey
with additional lyrics by Tom McClary and additional material by Kent Kerley and
Wille Thompson.
(18.12.06) Propers
Lots of props to hand out this week! Congrats to my friend Paul Cummings who
made the finals in the 106.9 Heart of Worship Star Search! He will be performing
at the Grove Park Inn on January 13 with two other finalists! Paul is an
incredible songwriter and worship leader and an even better friend.
heavyhandedpraise.com
Congrats to my friends Laurie and Don Koster, the first couple of music support
and promotion in Charlotte, for the recent article about them in Charlotte
Uptown Magazine and for their daughter's acceptance to college in Charleston!
These two have meant the world to me and my music over the years. Please visit
them online and offer your thanks and appreciation for the difference they make
in the lives of so many artists and music lovers alike.
lauriekoster.com
Please visit my profile on
FolkAlley.com to hear and vote for your favorite Jeff tunes! I'll be
appearing with friends Brian Burton (Cast Iron Filter), Scott McCloud (Hipshack,
Scott McCloud Group) and Jeremy Shaw (Full Grown, Neptune Ensemble, Ponder Banks
& Shaw) this week. Please come out and support these phenomenal musicians
whenever and wherever you get the chance. Merry Christmas and thank you for
supporting performing arts!
(11.12.06) Give Peeps a Chance
Hi, Peeps! Don't forget to visit my profile on
FolkAlley.com
to hear and vote for your favs! Please visit the
106.9 Heart of Worship Star
Search and cast your vote for my friend Paul Cummings. Merry Christmas and
thank you for supporting performing arts!
(03.12.06) Bank of America Stadium
Hi, Peeps! Lots to mention. Crazy week. I'll try to keep it brief. I'll be
appearing at Bank of America Stadium, home of the Carolina Panthers with the
cast and crew of Hipshack. We'll
also appearing at more Charlotte Bobcats Arena games. New boots, videos and pics
have been posted. Also, the response we've been getting on FolkAlley.com has
been flippin' sweet! Special thanks to Paul Cummings for letting me share the
stage with him on Sunday and to the wonderful folks at Madison's (formerly "The
Venue") in Charlotte for the great vibes Saturday night. Kudos to my students
and the rest of the cast and crew of Hickory Community Theatre's production of
Aladdin! Merry Christmas and thank you for supporting performing arts!
more
(01.12.06) Aladdin, Jr.
My family and I thoroughly enjoyed Aladdin, Jr. on opening night! I was
impressed by the focus and energy the kids maintained throughout the
performance. It is truly a testament to the hard work and dedication by all
involved. What an exciting demonstration of the outstanding young pool of
community talent Hickory Community Theatre will have to choose from for years to
come! more
(28.11.06) What is Hip
I used to wonder whether or not my disdain for what is considered hip on the
charts was a clear indication of my age. I've come to the conclusion that there
is a fundamental lack of class, respect and intelligence in music and on the
streets today. Pop culture or art is usually a reflection of society. I found
myself flabbergasted at the level of grammar and use of the English language at
these 2006 music award ceremony broadcasts. These "artists" sound ridiculous
when they got on the mic. Their grammar and English reminded me of a skit on SNL
with Phil Hartman as Frankenstein, Jon Lovitz as Tonto and Kevin Nealon as
Tarzan debating the merits of fire. Our kids worship these folks?! The problems
with the music industry exist from top to bottom. Check out my blog called
"Raising the Bar." I discuss several of these issues including Nelly Furtado's
latest "masterpiece." There is also a link to an awesome article by a popular
jazz artist discussing similar issues. I'm either getting old or everyone else
is getting stupid. I'm probably getting old.
(24.11.06) Charlotte Bobcats Arena
I hope your Thanksgiving was as beautiful as ours. We've still got one more to
go! Sorry for the sudden Black Friday announcement. I wanted to encourage
everyone to tune in to the Charlotte Bobcats game on Saturday, 11/24. The boys were
invited last minute to the arena to perform throughout the course of the evening
including pregame, half-time and timeouts. Should be a wonderful opportunity to
promote the new album and get the original tunes in the ears of hundreds of
folks. Thank you so much for supporting performing arts!
more
(20.11.06) North Carolina Theatre Conference Awards
Props to the company of HCT's "I Love You, You're Perfect, Now Change" and
former HCT Artistic Director, Charles Jeffers. The following North Carolina
Theatre Conference State Festival awards were presented over the weekend by
McGlohan Theatre at Spirit Square in Charlotte.
Marian Smith Distinguished Career Award, Charles E. Jeffers
Best Direction and Musical Staging, Pam Livingstone
Best Costumes, Ann Smith
Best Actress, Janet Brooks
Best Actor, Jeff Hartman
Thank you for supporting performing arts!
more
(01.11.06) North Carolina Theatre Conference
The Hickory Community Theatre is entering a statewide contest with its musical
"I Love You, You're Perfect, Now Change," a popular success in the 2005-06
season.
The musical is being featured in the community theatre competition during the
annual N.C. Theatre Conference's gathering in Charlotte on Nov. 17 and 18.
HCT will be one of seven North Carolina theatres competing in the American
Association of Community Theatres' showcase.
In past contests, HCT has won two first place and best ensemble awards in the
this competition with "Dancing in the End Zone," "The Complete Works of William
Shakespeare (Abridged)" and "Art."
The drama "Art" then won best production at the 2004 Southeastern Theatre
Conference in Chattanooga, Tenn.
Appearing in Charlotte is HCT's original cast Leesa J. Schoeberle, Jeff Hartman,
Timothy Bolick and Janet Brooks. Pamela Livingstone, HCT's artistic
director, is director and Alice Barlowe is musical director and accompanist.
"I Love You, You're Perfect, Now Change" was originally produced for HCT by
Catawba Radiological Associates and First Citizen's Bank.
more
(10.09.06) Hometown/Homegrown Talent Showcase
This Saturday proves to be no exception to the blessing it has been working with
world class, area musicians such as drummer Rick Cline, double bassist Brandon
Miller and saxist Phillip Whack. Here's what the PR team at the J.E. Broyhill
Civic Center is saying about the event. Thank you for supporting performing
arts!
"Hometown/Homegrown Talent Showcase at the J.E. Broyhill Civic Center in Lenoir,
NC is the first of what is planned to be a series of events featuring local
entertainers showcasing a variety of talents and skills on Saturday, September
16th at 7:30 pm. The inaugural event will feature three performers; MusicSmyth,
featuring the music of Rhonda & David Smith and their very talented family of
musicians, singing and playing musical standards. Jeff Hartman, a local
singer/songwriter with talent galore. Jeff's music runs from rock to jazz to
music of the 80's and beyond. Sammy Cortino, Magic's Royal Duke will round out
the showcase with some incredible illusions. This young magician is just
bursting on the scene. You'll be delighted with his adroit skill and style.
Tickets are available online at
broyhillcenter.com
or by phone at 828-726-2407."
(29.08.06) Metrolina Theatre Association 2006 Nominees
We are thrilled to announce HCT's 2006 MTA Award nominations (below). Congrats to all!
Winners will be announced on Sunday, 9/17 at McGlohon Theatre at Spirit Square
of NC Blumenthal Performing Arts Center in Charlotte, NC. Tickets are $25. Visit
performingartsctr.org or
metrolinatheatre.org
for more information.
Regional (HCT)
Outstanding Performance by an Actor in a Leading Role
Timothy Bolick (Man 2) I Love You, You're Perfect, Now Change
Jeff Hartman (Man 1) I Love You, You're Perfect, Now Change
Outstanding Performance by an Actress in a Leading Role
Tammy Loudermilk (Cass) Wonder of the World
Leesa Schoeberle (Woman 1) I Love You, You're Perfect, Now Change
Outstanding Costume Design
Ann Smith for I Love You, You're Perfect, Now Change
Outstanding Musical Director or Conductor
Alice Lancaster Barlowe for I Love You, You're Perfect, Now Change
Outstanding Director
Pam Livingstone for I Love You, You're Perfect, Now Change
Pam Livingstone for Wonder of the World
Outstanding Production
I Love You, You're Perfect, Now Change
Wonder of the World
Exceptional Awards
Theatre Company of the Year
Hickory Community Theatre
(13.08.06) Good Vibrations
Our quintet appearance as "Jeff Hartman, etc." at Verizon Wireless Amphitheatre
in Charlotte before Steely Dan and Michael McDonald was a huge success and very well received. Special thanks to
Carol Anne, musicians Mason Bissett, Brian Burton, Jeremy Shaw and Chick
Tsikouras, the event staff, the sea of folks listening and, of course, Steely
Dan and Michael McDonald. It was our pleasure! I can't say enough nice things
about the experience.
Following Verizon, we were lucky enough to make it back to
Hickory in time for my "I Love You, You're Perfect, Now Change" performance at
Hickory Community Theatre with Alice Barlowe, Tim Bolick, Janet Brooks and
Leesa Shoeberle for the 56th Annual Kay Awards. We all walked away with the award for
"Best Ensemble." I'll be posting pictures from both performances and a few boots
from Verizon online over the next few days. It was a beautiful day. God bless
you and thank you for supporting performing arts.
(07.08.06) Verizon Wireless Amphitheatre
We are very blessed and very pleased to announce we'll be appearing with legends Steely Dan and Michael
McDonald at Verizon Wireless Amphitheatre in Charlotte, NC on 8/12 from 6 pm
featuring bassist Mason Bissett
(Irongrass, Cast Iron Filter, The Pocket), drummer Brian Burton (Cast Iron Filter), guitarist
Jeremy Shaw (Full Grown Band, Ponder, Banks & Shaw, Hank Smith Group, Spincycle,
Sophisticats) and guitarist Chick Tsikouras (Big Bus Dream, Theatre Gallery).
more
(04.08.06) 56th Annual Kay Awards
Jeff has been nominated for a Hickory Community Theatre Kay Award in the
category of "Outstanding Performance by a Lead Actor" for the production "I Love
You, You're Perfect, Now Change." The cast is nominated for "Best
Ensemble." The 56th Annual Kay Awards Ceremony is to be
held 8 pm Saturday, August 12 at Hickory Community Theatre.
more
(01.08.06) Raising the Bar
I was inspired by a recent article titled
"What the F**k Happened to Black Popular Music?" by jazz pianist Kenny Drew, Jr.,
to discuss low standards in local music. So, "What the F**k Happened to Local
Music?"
I began appearing on the local North Carolina music scene professionally circa
1994 while seeking my undergraduate degrees. What a difference ten years makes.
I don't know what's worse; the bands or the folks who hire them.
Before I dive in too deep, let me preface this by saying I believe there is an
incredible amount of talent and fellowship on the scene. I experience it every
day. I also believe there are many layers to each music scene. You have
singer/songwriters, original bands, cover bands, jam bands, tribute bands, jazz
cats, etc. However, each layer experiences similar problems and the bar has been
set so low that I dare compare my issues with local music to the country's
immigration problem! I believe there is a place for all music and all who make
music in this world. There is no right or wrong. Music is subjective. I only
part company with those who interpose the profession of music.
I'm not going to discuss in too much detail the lack of musicianship and poor
songwriting I see on a daily basis. Kenny covers most of those bases in
his article and I second that emotion.
The "it's who you know" problem has been around since cows ruled the Earth and
unfortunately will never go away. That problem exists in every walk of life. I
admit I'm not more successful because I don't kiss ass very well. I am
definitely my own worst enemy and I take risks and roads less traveled. I'm not
the best at what I do, but I do my best. Sadly, there are groups out there right
now cashing in nonreciprocal favors, skipping from point A to point C while hard
working folks like us wrestle with point B. Eat your vegetables. Pay your dues.
Shortcuts will come back to haunt you. I still support throwing bones to up and
coming bands. I'm "simply" jaded. Unfortunately, I've been on the short end of the
not returning the favor-stick one too many times. "Your pain, their gain."
After a series of wonderful Walt Disney World performances and the successful
release of my second solo album, a pitiful conversation (a conversation of pity)
erupted between the then newest member of my band and me over the measure of our
progress. He tried to convince me that, in spite of our individual past projects,
we were on the same visceral level. I beg to differ. It's apples and oranges. A
singer/songwriter pays a much higher price than say, a bass player. A bass
player has the luxury of leaving one project for another on a whim and may
continue to do so until he or she reaches a much higher rung on the ladder of
success. We may have been in the same boat, but I'm very proud to say I've
earned most of my opportunities the old fashioned way and literally from
scratch. He answered an ad and joined my regularly scheduled singer/songwriter
program already years in progress. Singer/songwriters deserve a different grade
of respect.
The other problem at hand is simple. It's become too easy. "Weekend warriors."
There are bands in Charlotte who perform 12 times/year max, whom you've never
heard of, will never see, will never hear, sporting completely unrelated
careers, winning "Best of" recognition in local music publications because they
invoke enough votes from friends and family. There is no judge, jury or review
process involved. Those who turn to these publications as a source or guide to
entertainment in Charlotte are the true victims. Any joker with a computer,
enough cash for a lousy PA and a truck load of obnoxious friends can score a
gig. Musicianship, vocal quality, sound quality, recording quality, songwriting,
stage presence, experience and any combination thereof are hardly
considerations. Listen to the radio. Listen to current Nelly Furtado. It isn't
any different at the top of the food chain.
It's doable but nearly impossible to make a living as a musician because there
are so many folks out there working day jobs in completely unrelated fields,
performing once a month, packing houses with repressed co-workers. As previously
stated, I don't
disagree there is a place for those who use music in this context as a release.
However, the scene is flooded in every sense of the word and it's handicapping
and undermining working musicians. "Hi, I manage a restaurant 60 hours/week, but
I'm really a musician." You might as well say, "I'm not a musician, but I did
stay at a Holiday Inn Express last night!"
There are fake books and real books. There are fake musicians and real
musicians. The terms "full-time musician," "professional musician," or
"working musician" are certainly used carelessly and liberally. I dare say 10% of all musicians in Charlotte
are full-time, working musicians. Who's responsible? I lean toward those who
book or encourage and even reward these aforementioned characters. Demand is low
for trailblazers.
There is a flip side. What is the answer to 99 out of 100 questions? Money. Ten
years ago I could earn 1K/performance for my band at a particular local venue.
Today, you're looking at averaging $300/night at the same place. Why? 9-11
(self-explanatory), to a degree, and area venues are booking horrible bands
willing to play for scraps over good bands charging what they are worth. Decent,
working artists are forced to play for less and more often or seek second
careers.
On the opposite end of the spectrum, there are incredible local musicians,
mostly jazz cats, rotting their careers away because they won't take risks or
step foot on any stage for less than $200. These artists are denying themselves
and others in the community an awesome responsibility to raise the bar and make
a difference by participating in something more than the same jazz standards
week in and week out.
There was a time when PA stood for "Professional Audio." "Do it yourself" is the
theme, today. When I started out many moons ago we had a sound man, a lighting
man, a merchandiser, a manager, a booking agent, recording engineer, etc. We
prepared for a show. We prepared for a campaign. We dressed up! "Do it
yourself." I wish I had a dime for every geek with a computer and recording
software who has dropped me an email in an effort to convince me he can engineer
a "studio quality" album. "Do it yourself." Notice 9 out of 10 Charlotte bands use
the same font and typesetting. "Do it yourself." I could be here all
day. Believe it or not, there is little place around here anymore for this sort
of professionalism because venues don't want to deal with the hassle of early
setups, equipment, merchandise, flyers, lights, sound checks, etc. You're forced
to minimalize in order to compete for a venue's favor.
I make no apologies. I set high, professional standards for myself, my students
and those I choose to work and surround myself with; often to the point of
insane resentment. Music and theatre are crafts I've nurtured since the age of
nine. I'm 32. My skills pay the bills and feed my family. I have little patience
for those who take the talents God has blessed them with lightly and make it
difficult for someone like me to develop a career. Dustin Hoffman once said,
"How dare you tell me that take was good enough."
I seriously doubt anything I've discussed here surprises anyone familiar with
the industry. An old, retired Motown cat once advised me from his boat in
Florida not to pursue a career in music. He exclaimed, "It's a difficult life!"
It is. The arts are often the most disappointing and most rewarding jobs on
Earth.
I'd like to leave you below with Nelly Furtado's latest work of art. Number one,
I might add. God bless.
Promiscuous Girl by Nelly Furtado featuring Timbaland
Am I throwin you off
Nope
Didn’t think so
How you doin’ young lady
That feelin’ that you givin’ really drives me crazy
You don’t have 'ta play about the joke
I was at a loss of words first time that we spoke
Lookin' for a girl that’ll treat you right
You lookin’ for her in the day time with the light
You might be the type if I play my cards right
I'll find out by the end of the night
You expect me to let you just let you hit it
But will you still respect me if you get it
All I can do is try
Gimme one chance
What’s the problem
I don’t see no ring on your hand
I be the first to admit it
I’m curious about you
You seem so innocent
You wanna get in my world
Get lost in it
Boy I’m tired of running
Let's walk for a minute
Promiscuous girl
Wherever you are
I’m all alone
And it's you that I want
Promiscuous boy
You already know
That I’m all yours
What you waiting for
Promiscuous girl
You're teasing me
You know what I want
And I got what you need
Promiscuous boy
Let's get to the point
Cause we're on a roll
Are you ready
Roses are red
Some diamonds are blue
Chivalry is dead
But you're still kinda cute
Hey
I can't keep my mind off you
Where you at
Do you mind if I come through
I’m out of this world
Come with me to my planet
Get you on my level
Do you think that you can handle it
They call me Thomas
last name Crown
Recognize game
I'm a lay mine's down
I'm a big girl
I can handle myself
But if I get lonely I’ma need your help
Pay attention to me
I don't talk for my health
I want you on my team
So does everybody else
Baby we can keep it on the low
Let your guard down
Ain’t nobody gotta know
If you with it girl I know a place we can go
What kind of girl do you take me for
Don't be mad
Don't get mean
Don't get mad
Don't be mean
Hey
Don't be mad
Don't get mean
Don't get mad
Don't be mean
Wait
I don't mean no harm
I can see you with my t-shirt on
I can see you with nothing on
Feeling on me before you bring that on
Bring that on
You know what I mean
Girl
I’m a freak you shouldn't say those things
I’m only trying to get inside your brain
To see if you can work me the way you say
It's okay
It's alright
I got something that you gon' like
Hey
Is that the truth or are you talking trash
Is your game M.V.P. like Steve Nash
Promiscuous Girl
Wherever you are
I’m all alone
And its you that I want
Promiscuous Boy
I'm calling your name
But you're driving me crazy
The way you're making me wait
Promiscuous Girl
You're teasing me
You know what I want
And I got what you need
Promiscuous Boy
We're one in the same
So we don't gotta play games no more
(30.07.06) Left and Right
I agree the United States continues to grow more and more secular as a society,
subcategorized if you will; Liberal, Conservative, Black, White, Baldwins,
Wayans, Oompa Loompa, as opposed to uniting under one "American" umbrella.
I agree Bush, Jr. is not the poster child for international diplomacy. He is not
well-spoken. He is not a uniter. His administration has certainly polarized the
left and right. I concede "W" doesn't have the luxury of being judged under
normal circumstances. His legacy will certainly be unpopular if we don't succeed
sooner than later against terrorism. I say "we," because it is, after all, "We
the people..."
I often estrange from but applaud political and religious discussions, if it's a discussion.
Dissent is healthy and necessary. It's the yin and yang we endorse that makes
this country what it is. When I don't hear alternatives to current domestic or
foreign policy vs. criticism or cynicism, it's apparent to me no real solution
is being offered up for debate.
I'm not a fan of politicians. I'm not a fan of slaughterers, but I love me some
bacon. Like anything, I believe there are good politicians and bad ones. They
are smarter than this Jersey boy and certainly more qualified to make the
complicated decisions they are faced with. I've made enough errors in judgment.
I've seen enough life-swapping 80's
films to realize you can't be too critical of others until you've walked a mile
in his or her shoes.
(17.07.06) A Cause For The "Paws"
The trio will be performing a benefit for Project H.A.L.O. this coming Tuesday,
7/18 from 7 pm at Dilworth Billiards in Charlotte. Project H.A.L.O. (Helping
Animals Live On) is a non-profit, no-kill rescue organization based in
Charlotte, NC. Currently they are a 100% volunteer organization and are
privately funded. Without volunteers and private donations they would not exist.
They rescue homeless, stray and unwanted dogs and cats. They take care of all
the vet work including shots, sterilization and heartworm treatment, when
necessary. All of Project H.A.L.O.'s animals are vet current and sterilized
prior to adoption. They feel that this is the only way to run an animal shelter
in a responsible manner. If you would like to know how you can help, please
visit projecthalo.net
for more information. All donations are fully tax-deductible. Additionally, you
can make donations of any denomination through PayPal. Your patronage is much
appreciated!
(24.05.06) S.A.L.T. Block and Big River
I hope you peeps are having a fantastic week! I want to let everyone know that
Carol Anne will be performing with Paul Cummings and Heavy Handed Praise this
coming Sunday, May 28 at the S.A.L.T. Block. Proceeds will benefit the Pregnancy
Care Center in Hickory. Doors open at 5:45 pm with worship and praise from 6 pm.
More information is available by visiting
heavyhandedpraise.com
and
myspace.com/heavyhandedpraise
"Big River" at Hickory Community Theatre will be closing this weekend.
Thursday's performance begins at 7:30 pm. Friday and Saturday's begin at 8 pm
and Sunday's begins at 2:30 pm.
I've been blessed with the opportunity to play Roger Miller's famous bluegrass
and country score on acoustic guitar in the orchestra pit with some fantastic
area musicians including harmonica legend David Lovatto from "Spellbound,"
percussionist David Abernathy of "Puddingtone" and horn player Jason Childers.
The rest of the cast and orchestra are equally impressive and worth the price of
admission.
You can order tickets by visiting
hct.org or calling 828-328-2283.
Thank you and God bless you for supporting the performing arts.
(16.05.06) Voice and Piano/Guitar Accompaniment
Hi all! I hope you're having a great week so far! I wanted to let all you peeps
know that I'm teaching voice and piano/guitar accompaniment out of the Music
Center in Hickory. If you know anyone who might be interested in this sort of
thing, I would appreciate it if you would please give 'em my contact info.
828-291-0509,
mail@jshartman.com,
jshartman.com or you can have them call the Music Center at 828-322-4366.
I've also put together an Acting curriculum for ages 13 and up called "Acting
Up." If you would like to know more or if interested in signing up for the
workshop, just let me or Carol Anne know.
Let me know if there is anything I can do for you. Thanks and God bless.
(11.05.06) Guitarist with Big River Orchestra for HCT
Hickory Community Theatre and Corning Cable Systems present the Tony
Award-Winning musical Big River. Mark Twain’s timeless classic sweeps us down
the Mississippi as the irrepressible Huck Finn helps his friend Jim, a black
slave, escape to freedom. Their adventures along the way are hilarious,
suspenseful and heartwarming, bringing to life your favorite characters from
Twain’s novel. This Tony Award winning score by Roger Miller is a toe-tapping,
hand-clapping country style musical for all to enjoy. Call 828-328-2283 for
reservations and information or buy your tickets online!
more
(19.04.06) International Security Conference and Exposition
We are thrilled to announce that "The Blues," track eleven off the latest studio
album was recently featured in a promotional film for The Systems Depot, a
low-voltage distribution company, at the International Security Conference and
Exposition in Las Vegas, Nevada! ISC West draws together the entire security
industry.
In Las Vegas, security professionals from around the world attend to see the
newest products and latest technologies, see the latest trends that are
impacting the security industry, and learn how to better serve customers. This
is the largest ISC West event in history, with over 23,000 security
professionals in attendance and over 1,000 exhibiting companies. Photos from the
show floor and video clips were featured on ABC and FOX News.
During the standing room only opening keynote, Tom Ridge, the first Secretary of
Homeland Security, discussed the state of security today and where security will
be tomorrow.
The successful debut of Urban Security at ISC West is bringing together
government and corporate security buyers to evaluate the latest products and
services that are designed to protect or cities and commercial properties.
The Systems Depot is a low-voltage distribution company based in Hildebran, NC
with a team of industry professionals committed to helping their customers
become successful. The Systems Depot offers a wide range of products for
burglary, fire, access control, surveillance, building/home automation,
structured wiring, home entertainment, vacuum and intercom, along with the best
service in the industry.
more
(09.04.06) Juvenile Diabetes Research Foundation
Thanks to everyone who walked in the 2006 Charlotte Walk to Cure Diabetes on
Saturday, April 8th. There was a wonderful window of opportunity with the
weather, and we had over 5000 people come out to join the walk. Early estimates
show that we have raised $1,200,000 and counting!
more
(03.04.06) Walk to Cure Diabetes
I'll be performing this Saturday for the Juvenile Diabetes Research Foundation
at Carowinds in Charlotte. There's also a walk in Hickory on Saturday and
several other locations across North Carolina. There's always walks going on all
over the country. This is something I'm proud to have been a part of for several
years, now. If you have an opportunity, please register to walk this week in an
area near you and help contribute to the cause. Below is the press release with
all the info. Thank you and God bless.
more
(02.04.06)
Hickory-Based Performer Supports Cause
HICKORY, NC - Hickory-based performer Jeff Hartman, also known as Scott Jeffrey
of Scott Jeffrey's Band, returns to entertain the walkers for the Juvenile
Diabetes Research Foundation's 2006 Charlotte Walk to Cure Diabetes held on
Saturday, April 8 at Paramount's Carowinds. The four mile walk will begin at 9
am with registration starting at 7:30 am.
"We have performed several Walk locations, including Lenoir-Rhyne College and
Carowinds in an effort to help raise money and entertain the troops," says
Hartman.
Jeff Hartman is an ASU alumnus with degrees in advertising and theatre.
Hartman's been touring regionally with a variety of musicians as Scott Jeffrey's
Band for more than half a decade promoting the release of his albums. Jeff most
recently acted in Hickory Community Theatre's production of "I Love You, You're
Perfect, Now Change."
"We've been able to tackle both Walks, but they're being held at the same time
this year. If we could be in two places at once, we would! It's a cause near and
dear to my heart and I like being involved as much as possible. We've enjoyed a
beautiful relationship with the JDRF for several years and this year is no
exception. Please register to walk!"
The 2006 Catawba Valley Walk to Cure Diabetes will be held on Saturday, April 8
at Lenoir-Rhyne College. The three mile walk starts at 10 am. Registration will
begin at 8:30 am.
The Walk to Cure Diabetes is a walkathon held in more than 200 locations
throughout the year.
JDRF's Walks are family-friendly, held at great locations, including Lenoir-Rhyne
College and feature plenty of entertainment, food, and fun. All are invited to
become one of the 500,000 plus people at the 200 Walk sites nationwide this year
who are making a difference in the lives of people with type one diabetes. Folks
are guaranteed to have a great time, get some exercise, and most importantly be
a part of the cure, one step at a time.
More information is available by visiting the JDRF and Jeff Hartman online at
www.jdrf.org and
www.jshartman.com or by
calling 800-580-2873.
(26.03.06) I Love You, You're Perfect, Don't Change
The experts say it does not last. The experts say it’s fleeting ... Then tell me
why is my heart still beating?
Tim Bolick. What can I say about Tim? Following The Complete Works of William
Shakespeare [abridged] in 2000, I named my first born, now 4-year-old son
Timothy after him. Not really, but that sounds really palsy-walsy, doesn't it?
It took six years for our paths to cross again and I pray it doesn't take
another six. Tim is a joy to work with. He's fuel. A tank full of premium. He
gives you so much to work with on stage. I never tire of our rapport on and off
stage. He's one of those talents I feel the need to take additional strides and
make extra efforts to work with as much as humanly possible.
Janet Brooks. I can't decide if Janet is like the sister I never had or the hot cousin
everyone sees once every five years at their family reunion! I think going from
kinky tango to dysfunctional brother and sister has forever confused and damaged
me mentally. Seriously, there's nothing I have looked forward to more during
this production than hearing her laugh. With the exception of Janet's husband
and my wife, Pam and Alice couldn't have cast a more appropriate pair for some
of the scenes and exchanges Janet and I have had with one another. I was amazed
to learn this was Janet's seventh production ... ever! Is that right?! When a
director speaks of truth and humanity, Janet is the poster child. She manages to
effortlessly reveal those truths and be self evident in a manner Broadway actors
could envy!
Leesa Shoeberle. I could begin with any number of "short" jokes. All of which I'm sure
she's heard a million times over because I ... well ... think ... Look, she's
just the most ... shortest woman I've kissed in ages. Certainly the best tennis
player. Leesa brings an energy and a flare to a production. Glamour. Esteem.
Quality. There's something legit about doing a production with Leesa. She makes
me want to be a better actor. You know she's going to take you to a higher level
(and it's not because you're taller than she is). She's the tallest person on
stage! Forever my "Babe."
Pam Livingstone. Meticulous. Calculated. Articulate. Direct. My first experience with Pam
was five or six years ago when the two of us adjudicated a high school theatre
competition hosted by Lenoir-Rhyne College. Pam makes it a point to make a point
well. She brings out things in you as an actor you're unaware you're capable of.
Pam is a perfect example that trusting your director will allow you to harvest
other choices and tap into emotional resources you otherwise neglect. It's been
an honor benefiting from her education and experience.
Alice Barlowe. Music Director. Living proof how important two-hand, independent
exercises are! Alice is personality. She's larger than life. She makes you feel
like you've known her your whole life. She knows how to make an entrance and
light a fire under your vocals. You know you're in good hands with Alice, even
if it's just one hand and two fingers! I look forward to any opportunity to work
with her in the future.
Misty & Ed Allen. Too happy. They make me sick. I did all I could to keep that Mexican
cheese dip down. Just kidding!!! Misty and Ed are adorable! They are so sweet! I
just wanna put 'em in a blender and drink 'em! They have reminded me of the
discovery and elation involved with newfound love. There couldn't be a better
pair of stage managers for this particular production or a better husband and
wife for each other.
I regret there wasn't more time to get to know the rest of the crew and
musicians as well as the others. Only more reason to remain involved with
community theatre and keep in touch with those you meet as much as possible.
Thank you all for such a wonderful experience. I love you, you’re perfect,
don’t change.
After nine weeks together. All those brutal costume changes. Those futile scene
changes ... Shouldn't I be less in love with all of you? ... No.
(24.03.06) WSGE 91.7 FM
Hi, all! Wanted to get the word out that WSGE 91.7 FM has both studio
albums on hand, including These Boots Live 2000-2002 and are available for
request. We would appreciate it if any of you could give a ring and request a
tune or two, especially off the new album! Their number is 704-922-4286 and
website is http://www.wsge.org/.
Regardless of whether or not you call in a request, you should really tune in to
this station anyway. They play the most eclectic blend of music of any station
around here that I've heard and they are huge supporters of local and regional
music and events. God bless you!
(23.02.06) I Love You, You're Perfect, Now Change
Hickory Community Theatre Prepares “I Love You, You’re Perfect, Now Change” for
its Hickory Debut.
The smash hit musical revue, “I Love You, You’re Perfect, Now Change” is getting
ready to premiere at Hickory Community Theatre. The production opens on the
Mainstage on Friday, March 10, 2006 at 8 pm and continues through Sunday, March
26th.
This celebration of the mating game takes on the truths and myths behind that
contemporary conundrum know as "the relationship." Act I explores the journey
from dating and waiting to love and marriage, while Act II reveals the agonies
and triumphs of in-laws and newborns, trips in the family car and pick-up
techniques of the geriatric set.
The cast includes Hickory favorites Leesa J. Schoeberle, Jeff Hartman, Timothy
Bolick and Janet Brooks, all of whom play a variety of characters in this
fun-filled, musical romp.
In a generous partnership with Olde Hickory Tap Room, patrons at select
performances will receive a special surprise on the backs of their tickets.
“It’s fantastic that the Tap Room would come on board to help us offer a fuller
evening,” said Pam Livingstone, Artistic Director.
This show is presented on the HCT Mainstage on from March 10th to 26th, Fridays
and Saturdays at 8 pm, Thursdays March 16th and 23rd at 7:30 pm and Sunday,
March 26th at 2:30 pm. Tickets are $16 for adults, $14 for students and seniors
and $7 for youth 18 & under. The show is rated PG-13 for adult situations and
humor.
For reservations call (828) 328-2283 or come by the HCT box office weekdays
10-5. The HCT complex is located at 30 3rd St NW in Downtown Hickory.
This production is produced by Catawba Radiological Associates and First
Citizens Bank. HCT is a funded affiliate of the Catawba County Council for the
Arts.
more
(03.02.06) A Word About Scott Jeffrey's Band
William Shakespeare wrote, "What's in a name?" Well, I'll tell ya'!
It's
important to me folks realize the number of musicians, families, friends and
fans that have accompanied me and the stories of my life as "Scott Jeffrey's
Band" in the variety of ways that
they have over the period of time that they have. What I hope the new website
will help demonstrate is how many variations on the sjB theme there has been through the years.
It's not just two or three people we're talking about cultivating the
reputation, style and arrangements of my music. We're talking about an entire
community. I fear using clichés, but "it's all about the music." We're
so grateful.
I also appear as "Jeff Hartman" as a simpler, refreshing personal choice. It's
been a debate for years. So many folks refer to me as "Scott," now. The use of
my middle name was intended to establish some sense of anonymity as a less
individualistic props to the ensemble nature of my bands. It was never intended
to serve as an alter ego. "Jeff Hartman" by day, "Scott Jeffrey" by night. That
sort of thing. When forced to choose, I choose to be myself. The focus remains
on my original music where it belongs. It's certainly easier fusing theatre and
music under one name.
The name "Scott Jeffrey's Band" materialized when nothing else would. I founded
a band in
2000 when I decided to shove my original music down the throats of all cover band downtrodden. With no name, the band was simply referred to by friends and family as "Jeffrey's Band." While
I searched for something less individualistic, my girlfriend suggested throwing
my middle name in front establishing some sense of anonymity thus representing the ensemble of the group and any other's contributions
along the way to the arrangements and the creative process. Leaving the possessiveness in "Jeffrey's" would serve
as a reminder and personify my body of work as the foundation for which my bands are built upon.
(31.01.06) Composition
A conversation with family, friends, fans and colleagues about music and the
Black album.
more
(17.01.06) Weapons of Mass Destruction
You're either incredibly uninformed or a disseminator of misinformation. The
President makes a misinformed decision to liberate Iraq in light of Saddam
Hussein's weapons of mass destruction program. No weapons of mass destruction
are found. Is the President to blame or are those he trusted were providing him with
accurate information and expert testimony?
If it's a question of responsibility, the buck stops with the President. He
assumes ultimate responsibility. He's the President. That's the way it is. This
doesn't excuse the disseminators of the misinformation. If it's a question of
guilt or blame, you have to consider that the President placed his trust in the
hands of the folks providing him with the misinformation. He had no reason to
believe otherwise. He made as informed a decision he thought he could make.
There's a huge difference between being "uninformed" and "misinformed." If we're
uninformed, there's no escaping guilt or blame. It's our responsibility to make
informed decisions when we make important decisions. There's nothing worse than
making a misinformed decision, especially when it involves friends or family,
because we make choices and take risks behind that faith and trust. It hurts
everyone involved in ways few take the time or even want to understand.
We've all gotten screwed at some point. We all make mistakes. I'm no car expert.
There is an incredible amount of trust I have to place in a mechanic who tells
me something's wrong with my car and it needs to be repaired. If the mechanic does
a terrible job or screws me, am I to blame? Am I the bad guy? I trusted the
mechanic. No matter what, I'm ultimately responsible for making the informed decision to
leave my car in this mechanic's hands. Assuming all of the responsibility in the
world doesn't excuse the mechanic or make my car situation any better. I can
forgive the mechanic all day long, but I can't recommend him and I certainly
won't be taking my car back to him unless he's willing to give me my money
back and make all necessary repairs. In the end, it's reasonable to assume I
won't be allowing this mechanic to service my vehicle in the future following these
circumstances.
After all is said and done, you're still faced with that nasty "guilt by association"
clause. If
this mechanic works in association with a dealership down the road, are you
going to feel comfortable buying a new or used car from that dealership? After all you've
been through with this mechanic, would that be making a responsible, informed
decision? This isn't a question of one bad apple spoiling the whole barrel. That
would mean never trusting another mechanic as long as you live. That's certainly
a treatable symptom.
It is said we are defined by the company we keep and the reason we keep it.
Patience is a weapon of mass destruction that forces deception to reveal itself.
(13.01.06) Friday the 13th and Other Creepy Coincidences
The credit card used to help rotate band expenses for five years had an
expiration date of 09 05, approximately the same time my last unit unexpectedly split and
the
proprietorship officially ended.
Three is my favorite number.
Timmy was born on January 30. I was born on March 30. Carol and I were surprised with twins, leaving us with three kids. I was
30 when the twins were born. Three decades difference. If you divide 30 by three
you get ten. Carol's birthday is March 10. Timmy was three when the twins were
born. I am one of three siblings. Three Hartman brothers. My mother is one of
three. Carol's father is one of three. My grandmother is one of three. I'm
currently gigging a trio.
Carol and Jeff both had uncles that passed away at an early age. My uncle's name
was "Timothy." Carol's uncle's was named "Craig." Timmy is named after both of
them. "Timothy Craig."
Carol and Jeff both had grandparents who passed away before their marriage.
"Coble" is named for her grandfather's last name (her maiden name). "Kellen" is
named (with a male twist) after Jeff's grandmother "Helen."
Before Carol and Jeff got married, Carol was dating a guy named "Austin." Jeff
was dating a girl named "Mandy." When Jeff's girlfriend married, her
married name became "Mandy Austin."
Carol's other grandfather is named "Cecil William." My grandfather's name is
"William" and my mother's middle name is "Cecelia."
My father frequently golfed at a golf course named "Tamarac" when we lived in
Jersey. I resided in a town called "Millstone" prior to moving to Carolina from
Jersey. Carol's folks currently live adjacent to a marina in Salisbury named
"Tamarac." Carol and I currently live in a development called "Millstone."
First day in the studio for the latest album was on August 1, 2004. The day
included me, engineer David Black, drummer Daniel Flynn, guitarist Tony Eltora,
and bassist Micah Davidson. The last day of mixing was August 1, 2005. The
session included only me and new engineer, Chris Garges. The album took exactly
one year to complete.
John Denver is my mother's all-time favorite singer/songwriter. Carol's
grandfather was a pilot. Her grandparents actually flew with John Denver and
have personal photographs of him on their walls.
Twins run on both sides of our families, but we didn't know until after our
twins were born.
I have tried desperately to escape Dave Matthews comparisons over the years.
Dave has twins. Then I have twins, stretching the comparisons even further into
my own personal life!
I don't believe in coincidences.
(10.01.06) Ebony and Irony
The best saxist I know prefers bass. The best percussionist I know prefers midi.
The best pianist I know prefers guitar.
(01.01.06) Happy New Year!
2005. It would B 2 easy 2 say '05 sucked. So, I'll say it was "bittersweet."
Certain words come 2 mind such as "bed rest," "studio," "keys," "home
improvement," "twins," "contracts," "travel," "hurricane," "Yoko,"
"Judas," "sleeplessness," "health," "depression," "loss,"
& "Et tu, Brute?"
Therefore, let's look @ the glass half full.
God blessed us w/twins in March. The twins were born on Tue 3/8 @ around 8:40
am. They were 7 minutes apart. The first, Coble Alexander Hartman, weighed 6
lbs. 3 oz. The second, Kellen Andrew Hartman weighed 5 lbs. 1 oz. They're both
healthy. Carol Anne did awesome. She was only in labor a few hours. No "C"
section had 2 B done. Carol got 2 come home w/the twins on Thu, which happened 2
B her birthday. Kellen was a lil' cold & low on blood sugar, so I didn't have
many pics of him. He had 2 stay in the nursery most of the time. Carol & I don't
think they're identical twins, but we won't know until they get older. I will B
neutered. Timmy finally got his "Herbie" party.
I finished basics on the new flash & html websites & wrote an album's worth of
new tunes 4 the band 2 help me arrange & track in 2006.
Midtown 51 in Pineville, NC played host 2 Brandon Castagna's annual birthday
celebration on F 1/21. Brandon used 2 travel w/the band quite a bit. We kicked
things off @ 10 pm & his brother Jared performed in between sets. Midtown 51 is
located on Pineville-Matthews Rd. near Jack in the Box & is a fine venue 4
original music.
On Sat 1/29 we were interviewed by WRIR 97.3 FM in Richmond, VA from 6 pm. We
discussed a failing music industry, traveling & progress on the upcoming
album.
Doors opened @ 8 pm when we appeared w/Dave Matthews Cover Band & Tad Kell on T
2/1 @ Ziggy's in Winston-Salem, NC from 9 pm. Later that week we performed
Belmont Abbey College in Belmont, NC from 6:30 pm.
Special thanks 2 Simplified & Jared & Co. 4 their performances @ The Evening
Muse & 2 all the folks who joined us 4 a great time. The Muse is 1 of the best
sounding rooms in Charlotte. More thanks 2 the folks in Richmond who caught us @
Café Diem & came out 2 Siné. Thank U & God bless U 4 requesting original music.
Another special thanks 2 Stephanie & her extremely supportive crew 4 traveling
all over creation 2 finally find us @ the correct addresses & locations. I
apologize 4 the typos. I'd also like 2 thank Jersey girl Shaney 4 coming out.
She grew up about an hour from where I grew up in Jersey. Small world.
I enjoyed an incredible jazz improv performance, tickling the ivories w/drummer
Rick Cline, double bassist Mike Holstein, & saxist Scott McCloud @ PBS reknowned &
nationally recognized Olde Hickory Tap Room in Hickory, NC on 2/13 from 8 pm. I
was also fortunate enough 2 play keys 4 Jared Allan & Co. several times @
several locations throughout the course of the year.
We returned 2 Boardwalk Billy's UNCC on Sat 2/26 4 the first time in 10 years.
Phone the neighbors & wake the kids. Boardwalk Billy's UNCC was host 2 our first
CD release party in '02. We've met some of our most dedicated fans @ the UNCC
location including Brandon & Jared, Dan "The Fan," Erin, New York Stephanie &
her brother (who I miss dearly), Purity, Jamie & a lot more I'm sure I'm
forgetting 2 mention. Thank U 4 your years of support. Thanks 2 the old
Boardwalk Billy's UNCC crew 4 coming out. Felt like ol' times @ the Boardwalk.
Thanks 4 the Reeses Pieces, Shaney!
Trahan's was a lot of fun & a great place 4 intimate, acoustic music. If U
didn't hear JAK on that djembe, you missed out. More thanks 2 Stephanie, Kelly &
the rest of their crew 4 hanging out w/us. Support from our fans like this is
what's going 2 continue 2 really make a difference on my journey. Stop by
Trahan's if U get a chance. It's a great venue 4 acoustic music.
We finished tracking the new studio album! Still shamelessly desperate 4
funding, though. Any contribution is much appreciated & will help master,
duplicate & package the album. Thank U all 4 continuing 2 support original
music.
Thanks 2 Brandon & Somer 4 supporting us [abridged] @ The Graduate Uptown & 2 Stephanie,
Kelly & the crew 4 once again making our night enjoyable. I'd also like 2 thank
the pole dancer & her dance partner @ Galway Hooker 4 ramming my mic down my
throat. It builds character.
Thanks 2 all the folks in Mocksville 4 making our year! U made us feel like a
crowd should make musicians, good or bad, feel - appreciated. You're definitely
the best music supporters we've seen in quite a while. Thank U 4 supporting live,
original
music. I can't say that enough.
Thanks 2 the folks in Richmond 4 an awesome Day-After-St.-Patty's-Day-Day!
Special thanks 2 Debbie 4 dinner & Shaney & the gang 4 hangin' out w/us @ Wild
Wing.
We hit the beach running in March. I turned 31 @ the end of the month on 3/31 &
celebrated Tenth St. style in Conover, NC off exit 131. I called it "31 on 31 @
131." Tenth St. is a great place 2 hang out & full of folks who support live,
original music. I squeezed my keys in their that night. The band is completely
different than what you're used 2 hearing w/the acoustic. More music, less
sports. Thanks 2 the folks in Roanoke 4 a great night in April & special thanks
2 my friends 4 making my little birthday party birthday so special.
We performed @ Carowinds on Sat 4/9 from 9:30 am in an effort 2 raise money 4
the Juvenile Diabetes Research Foundation (JDRF). We've enjoyed a wonderful
relationship w/JDRF over the past 4 years, supporting 1 another. The Walk 2 Cure
Diabetes is a walkathon held in more than 200 locations throughout the year.
Thanks 2 the folks who turned out 4 the Walk 2 Cure Diabetes @ Paramount's Carowinds. Thanks 2 your contributions, they were able 2 raise 1.4 million
dollars! We'd also like 2 thank the awesome crowd we had in Charleston. U guys
know how 2 handle a Fri night.
We performed up in the mountains quite a bit. The weather was beautiful up
there. Ya'll came on out & made a day of it & a night out of us. I'm not sure
that makes any sense.
We were invited 2 festival NewtonFest in Newton, NC on Sat 4/30 from 2:20
pm. Other artists included Tampa Blue & Snakebite Hoffman from 1 pm,
Elliot & the Untouchables from 3:40 pm, Contagious from 7 pm, & Mac Arnold & The Plate Full of Blues from 8:30 pm.
Thanks 4 the great times @ Midtown 51. Thanks 2 Dan "The Fan" & Jared 4 keeping
us co. @ Angry Ale's in May!
We hit the road pretty heavy. The great news is that we returned 2 Disney thanks
2 ET's diligence. We were @ the Rock & Roll Beach Club on Disney's Pleasure
Island from 5/16 thru 5/19. Thanks 2 those who stopped by & saw us in Conover &
Charlotte before we hit the Rd! Special thanks to Disney 4 having us! It was a
blast! Particular thanks 2 Larry, Matt & the rest of the crew 4 your wonderful
sound engineering. Thanks 2 Tanya 4 the Star Wars tickets!
We appeared on 91.7 FM WSGE out of Dallas/Gastonia. We discussed the pros & cons
of the local music scene & you heard 3 cuts off of the upcoming, second studio
album!
A happy surprise birthday party shout-out to Tony! We performed the second
annual Greater Hickory Smoke BBQ Festival @ 1:30 pm on Sat 5/28 @ LP Frans
Stadium in Hickory, NC. Miss Kirstin Elrod, reigning Miss NC, was w/us during
much of the event. Other artists included Bob Sinclair, Uncle Jam, Lunatic
Fringe, Moosa, Tater, King Johnson & Hobex. It also happened 2 B ET's birthday!
Special thanks 2
the folks @ Café Diem in Richmond & the folks who did such a wonderful job
putting together & running The Greater Hickory Smoke BBQ Festival! We were in
Hickory much of that week. I saw some folks I hadn't seen in a while @ the
Hickory Tavern & The Olde Hickory Tap Room! Again, thank U 4 supporting live,
original music.
Festivals! We appeared before Pat McGee Band @ Roanoke, VA's Festival in the
Park on W 6/1 from 7:30 pm. Music & entertainment was scheduled throughout all
times of the festival @ 3 locations. The featured concerts & show start times
varied slightly each day. Weekend concerts ended @ ~ 10:30 pm & week night
concerts ended earlier. 4 more information. Our scheduled
performance @ Hickory Alive was in danger of being moved into the Olde Hickory
Tap Room on the square if it continued 2 rain that Friday evening, but we
weren't 2 begin until after 9 pm if that happened. Thanks 4 sayin' a lil' prayer
before ya'll hit the sacks. It didn't rain & we got started, outside,
according 2 schedule @ 7 pm!
Phew! Lots 2 talk about. We'd been haulin' tail all
over creation & we'd got a regular change of pace one week. We were up in the
mountains & back down 2 Charlotte @ Smokey Joe's where we opened 4 MarsupiaL. A
huge shout-out 2 Josh @ the Hickory Daily Record 4 putting us in the spotlight &
the front page of the paper. Thanks 2 all of those who came out & supported us @
the festivals in spite of the weather & extra special thanks 2 those who allowed
the festivals 2 continue in spite of the weather. Thanks, Skip! Thanks 2 the
folks in VA 4 a good time. Thanks 2 our fans 4 supporting us @ Angry Ale's
Uptown in Charlotte, NC.
We appeared @ Hickory Community Theatre's annual fundraising event in the
Charles Jeffers Theatre in downtown Hickory from 6:30 pm on M 6/13. Carol & I
were married on stage @ HCT & it's always important 4 me 2 do whatever I can 2
support the theatre whenever the opportunity presents itself.
Thanks 2 the folks @ Angry Ale's Montford 4 the wonderful feedback. It will go a
long way. Special thanks 4 our new British friend who paid his respects 2 nights
in a row. Thanks!
We headed 2 VA a week later & rounded things off w/a show @ Angry Ale's Uptown
in Charlotte, NC. Then we resumed work on our sophomore studio album the
following Sunday. Don't forget U can preview 2 tracks off of our upcoming studio
album by visiting the media page on our website!
Thanks 2 the folks in VA 4 a good time. Thanks 2 our fans 4 supporting us once
again @ Angry Ale's Uptown in Charlotte, NC when no 1 else would!
We appeared in between innings like a late-night, talk show band & post-game @ the Gastonia Grizzlies Baseball Game on R 6/30 from 9:30
pm 'til 12 am. Sponsored by 91.7 FM, it was "Thirsty Thursday," & U could get $1
beers & sodas. Scott Jeffrey's Band t-shirts were available @ the show 4 only
$15. Thank U 4 supporting live music. Only U can make it America's #1 pass-time.
We appeared outside the Wine Vault w/Jared Allan on M 7/4 from 6 pm 'til 10 pm.
Special guests included Carol Anne Hartman on vox & Bruce Flynn on drums. Thank U 4 supporting live, original music & God bless America. It doesn't get
any more apple pie than Scott Jeffrey's Band.
Thanks 2 the wonderful crowds we had in Beckley, WV & Cornelius, NC! I had a lot
of fun. We also got 2 perform outside @ a private party 2 houses down from where
American Idol's Fantasia now lives in Charlotte! Hope she heard us! Thanks 2 the
wonderful folks @ the party 4 their hospitality. Happy anniversary!
We headed into the eye of Hurricane Dennis. We were lucky! We had shows in the
Keys, Tallahassee & Daytona the following week. My favorite stop was Tir na
nÓg Irish Pub in Daytona Beach, FL on F 7/15 (my father's birthday!) from 10 pm.
What a great venue 4 original music & a melting pot of people from all walks of
life. A group of Harry Potter fans paid homage 2 the release of the latest book
by dressing in character & swinging by the bar 2 celebrate.
We added a show 2 July. We were going to perform @ the Evening Muse 4 the NoDa
Block Party on Sat 7/30 from 3 pm. It rained out!
We appeared @ Ziggy's in Winston-Salem w/a Phish tribute band called "Phix" from
9 pm on W 7/20.
We rounded our travels off w/a fraternity performance 4 Georgia Southern College
in Statesboro, GA on Sat 7/23 from 9:30 pm 'til 12:30 am.
Safe to say, Sat's 8/13 performance @ Olde Hickory Tap Room marked the end of an
era. God's will. The unbridled energy on stage coursing through our instruments
& the resulting music is a feeling & a moment I'll never forget.
The second studio album is almost finished thanks 2 Janet Black, Scott Applegate
& Chris Garges! We've only got a couple more sessions left of mastering!
'05 lessons learned? Life good. My family's the best. I have a nasty habit of measuring performance against
potential. I'm definitely guilty of that. We were a good unit. Better than most.
I know we could have been a great unit. Maybe the best. On & off stage.
You're either incredibly uninformed or a disseminator of misinformation.
Forgiveness does not necessarily qualify for relationship. Written contracts good. Oral
contracts bad. Don't assume all of the risks when you invest in & 4 other
people. Never take long shots. Talent means nothing in this game if U
don't make the right choices. There's plenty of talented people out there who
never C the light of day. It takes discipline because this whole game is 1 big
long shot. If U don't have the discipline 2 stay away from the "flyers" or from
the "gambles" or whatever else U wanna call a "stupid move," then I'm afraid 2
say one day you'll go down. It's inevitable. Make a list of everything U want
now & then plan on spending the next 25 years of your life getting it, slowly,
piece by piece. Most importantly ... trust in God.
I hope '06 finds U all well. It will B a full-circle year 4 me. Back 2 basics,
if U will. New goals. New priorities. God, family, friends & fans. In that order.
I couldn't do what I do without such a strong support system. I'm trying my hand
at theatre again
in March & my trio's been debuting gradually w/an album's worth of new material. God
bless.
(28.10.05) A Word About Scott Jeffrey's Band
The name "Scott Jeffrey's Band" materialized when nothing else would. I founded
a band in
2000 when I decided to shove my original music down the throats of all cover band downtrodden. With no name, the band was simply referred to by friends and family as "Jeffrey's Band." While
I searched for something less individualistic, my girlfriend suggested throwing
my middle name in front establishing some sense of anonymity thus representing the ensemble of the group and any other's contributions
along the way to the arrangements and the creative process. Leaving the possessiveness in "Jeffrey's" would serve
as a reminder and personify my body of work as the foundation for which my bands are built upon.
(27.09.05) Thank You
I would like to thank those of you who have expressed your love, patience and
support during this difficult time for me and my family. The experience has
brought me closer to God, family and friends. Without going into very personal detail, I can
say that things are improving and moving in the right direction. Trust in God.
I'd also like to take this opportunity to draw your attention to my wife Carol
Anne's amazing faith and incredible website. more
(31.08.05) Health and Financial Concerns
Jeff's in an unfortunate health and financial situation. We'll keep you posted.
Thank you for your patience and prayers.
(17.08.05) The Official Jeff Hartman Website
In light of recent events and mixed emotions, I've been apprehensive about getting this thing going, but I finally did it.
It's still a work in progress and probably will be for some time.
(14.08.05) Rock On
In light of the circumstances that are surrounding me at the moment, I just want to say that I have the utmost respect for Jared Allan & Co., others like him and what they're doing and
accomplishing.
It's not easy going solo. Five years ago I quit my $32,000/year job and the band I was in, took a leap of faith and put together my solo venture
(Scott Jeffrey's Band). My mission was to make a living, telling the stories of my life through my music. Another goal of mine was to heavily involve my band members in the arrangements, the business and the decision making. Billy Joel-style.
I accomplished those goals for the most part, but some of my band members have grown wary and restless and perhaps are in the same situation I was in before I went solo. It's difficult. I'm very depressed. I love my
current unit. There was so much more to look forward to. We were just getting started. We had our own language. I hope they find what they're looking for as much as I want them to believe it's right in front of them. It's out of my hands. God's will.
Never stop being you. Operate with 100% integrity. Maintain your identity. Reward and embrace your band members and their ideas. Allow your band members to feel rewarded for the time, energy, and creativity they contribute. Make firm decisions. As long as your expectations are made clear, you'll reduce the risk of hurt feelings or miscommunication. Understand if the time comes when a band member chooses to leave, it's unlikely a reflection on you.
In any case, rock on. God bless.
(20.06.05) Value of a Dollar
Have U thought about how far your dollar is going on your night out on the town?
For a movie & refreshments U might pay upwards of $15 2 $20 4 2 hours of
entertainment. It might cost U $15 or more 2 listen 2 a DJ spin CD's in
Charlotte. A dance club or night club could cost $20 or more on any given night.
Dinner @ a decent restaurant for a few hours could run U anywhere from $20 2 $30
or even more. The average cost of a drink @ a bar is $4. 2 C Scott Jeffrey's
Band or any live, original band will either B free of charge or only cost U $3 @
the door. U get 4 hours of live music often accompanied by some sort of carni'-folk & familiar cover material. Please support live, original music.
(25.04.05) David Black
This week has been difficult as I'm deeply saddened by the unexpected loss of my
friend and engineer, David Black of Old House Studio in Gastonia, NC. It's not
easy to find someone you can identify with in this profession. David was
certainly one of those individuals who shared an interest in regenerating a
demand for well-written, well-played and well-sounding original music. He was a
meticulous engineer. He believed in doing things right the first time. He
encouraged me to be the best I could be and do the best I could do. He's
certainly been a catalyst in my career. He had a flare for the vintage and a
knack for the latest. He blessed me with a rare opportunity to create two albums
under extremely flexible and creative circumstances. His talent as a musician,
an engineer, a producer and as a friend was beloved and will soarly be missed.
David and I spent a lot of time together over the past seven months. Long
sessions would often yield late-night talks about music, life, family and
friends. I can tell you he believed in me and what I'm doing and I'll never take
that lightly. I'd like to leave you with something David wrote me last year.
"Hello, Jeff. I, believe it or not, keep up with you guys via mostly your
newsletter and word on the street. I really like the two things you wrote in
this issue. First, about your '03 year in perspective. You have performed feats
of amazement. The very fact you grew up and out when the rest of the music world
basically sucked down and in (I know, I never said I was a lyricist) is an
achievement in itself.
I get to work with different groups and individuals
pretty much on a daily basis, but you displayed talents and skills here that I
rarely get to see. I know that surely sometimes you ask yourself, 'Damn, why am
I doing this,' especially when things get crazy with your bandmates or bookings
get screwed up. But that comes with the territory. Just keep up the good work. I
believe in you and really think you have more good things coming. Most of my
career has been involved with different aspects of 'making it,' getting close,
but not quite there. So, for those of us who haven't 'made it,' (yet!), we pass
the torch on to someone who I believe will.
The second part reminds me of what
the music used to be like back in the '60's and '70's. There was this kind of
sprit in the air that said 'new things, thoughts and ideas' and 'new feelings.'
It was like, everywhere. There was this excitement of discovery as well as
people sharing all of this. We used to get a new album, which we usually had to
wait for and it seemed like forever, but we would get together at someone's
house, usually whoever had the newest needle on their turntable and a great
sounding system, and listen. Over and over and we would talk about all the parts
and what the songs meant. It was such a wonderful time. I just hope that through
my work, someone else can experience that the way I did.
BTW, Merry Christmas
and I hope you and yours have a healthy, prosperous New Year!"
David Black
Owner/Engineer/Producer
Old House Recording Studio - Gastonia, NC
704-867-9166
www.oldhousestudio.com
(27.02.05) Yogi Berra Explains Jazz
INTERVIEWER: What do you expect is in store for the future of jazz
guitar?
YOGI: I'm thinkin' there'll be a group of guys who've never met talkin'
about it all the time.
INTERVIEWER: Can you explain what Jazz is?
YOGI: I can't, but I will. 90% of all jazz is half improvisation. The
other half is the part people play while others are playing something they never
played with anyone who played that part. So, if you play the wrong part, it's
right. If you play the right part, it might be right if you play it wrong
enough. But if you play it too right, it's wrong.
INTERVIEWER: I don't understand.
YOGI: Anyone who understands jazz knows that you can't understand it.
It's too complicated. That's what's so simple about it.
INTERVIEWER: Do you understand it?
YOGI: No. That's why I can explain it. If I understood it, I wouldn't
know how to explain anything about it.
INTERVIEWER: Are there any great jazz players alive today?
YOGI: No. All the great jazz players alive today are dead. Except for the
ones that are still alive. But so many of them are dead, that the ones that are
still alive are dying to be like the ones that are dead. Some would kill for it.
INTERVIEWER: What is syncopation?
YOGI: That's when the note that you should hear now happens either before
or after you hear it. In jazz, you don't hear notes when they happen because
that would be some other type of music. Other types of music can be jazz, but
only if they're the same as something different from those other kinds.
INTERVIEWER: Now I really don't understand.
YOGI: That's because I haven't taught you enough for you to not
understand jazz that well.
(27.12.04) Happy New Year!
The year is coming 2 an end once again. 2004 was a good year 4 me & the boys. In
January, Tony & I had the pleasure of appearing on "Words & Music," a television
show on Channel 19 WEBB TV broadcast from the campus of Gardner-Webb University
in Boiling Springs, NC. Later that month the 4 of us had the good fortune of
appearing @ Massanutten Ski Resort in VA with our families.
We made several
promotional appearances throughout the year on 1290 WHKY Talk Radio's First Talk
w/Hal Row out of Hickory, NC, Real Radio 104.1 FM Clear Channel Radio's Melissa
Foxx Show out of Orlando, FL, WSGE 91.7 FM out of Dallas, NC, 103 FM WCIR
Morning Hookup w/B-Rez & Tasha & Cheap Thrills Records out of Beckley, WV.
The Weeklys & several other music-related magazines printed nice articles in support
of the band & live music in general. Our CD's R now regularly carried by several
on- & off-line stores including CDX Mixed Media, Awarestore & Sunshine Daydreams
& R nearly sold out. Our albums caught a nice review by "Left off the Dial" out
of Arlington, VA.
We were able 2 host 2 fundraisers 4 the Juvenile Diabetes
Research Foundation in Hickory & Charlotte, NC & 1 4 International Dental
Volunteers in Charlotte.
In March we threw together a concert @ the CoMMA in
Morganton. It's a space I've played as an actor, but never as a musician. It was
a lot of fun & I was blessed w/a performance by my family 4 my birthday during
intermission. The boys chipped in & sent me 2 C Prince, 2! We captured a great
performance @ The CoMMA on DVD & CD.
4 the 1st time, the band traveled from NC
2 Jersey & back down 2 FL & everywhere in between. Thanks 2 APCA, we were able 2
hit the college scene a little harder from SC 2 Miami. We were fortunate enough
2 return 2 Disney World twice. Over the summer we hosted an open jam night @ The
Store in the UNCC area. We met some very talented musicians.
We had the pleasure
& honor of appearing w/Lynyrd Skynyrd & the Allman Brothers @ Verizon Wireless
Amphitheatre & Arrested Development @ The Neighborhood Theatre's NODA Fest. We
performed w/an array of local talent including Driftwood Project, Sol Funky,
Simplified, Jared & Co., Buddaheads, Mieka Pauley, Mood Cultivation Project,
None the Wiser, Contagious, Black Market Radio, Lauren & Company, Spookie Daly
Pride, Abe Reid & The Spike Drivers, Bellyfull, David Childers & The Modern Don
Juans, Laughingravy, Gigi Dover, Blue Merle, Mar & Dave Matthews Cover Band.
We
hit more festivals than we ever have before including the Greater Hickory Smoke
BBQ Festival in Hickory, NC, The Neighborhood Theatre's NODA Fest in Charlotte,
NC, Festival in the Park in Roanoke, VA, Hickory Alive in Hickory, McHale's
T-Box Festival in Fort Mill, SC, Summer Jam UNCC in Charlotte, Hannah Flanagan's
Apple Fest in Hendersonville, NC & Apocalypse Cow Party in Richmond, VA.
We
didn't host as many special guests this year, but as always it was a pleasure
getting together w/percussionists Rick Cline & Phill Kirby when we could.
In
August, we rolled into the studio 2 track our latest studio album. We're about 2
wrap up editing & finish tracking some odds & ends.
2005 will prove 2 B another
prosperous year. We're looking 2 release our second studio album in the Spring
accompanied by another memorable CD release Gala. We'll B hitting the college
scene even harder & heading west. You'll witness the birth of a new website,
you'll hear another album's worth of new original material & you'll find Jif on
keys more often than not. In any case, none of this would B possible without the luv & support of family, friends & fans. I'm very grateful 4 the fine unit of
musicians I get 2 take the stage w/every night & work w/behind the scenes. It's
a collective I'm proud 2 B a part of. Thank you & God bless.
(30.05.04) Let's Talk About Sex
Not really. But now that I've got your attention, let's talk about local music
venues.
In my experience, folks aren't likely to pay a $5 cover charge at a local bar
for most local music acts, thus leaving the bar empty at the end of the night,
thus discouraging bar owners to support live music. We often encourage such
venues to avoid charging a cover and pay their bands a flat fee or, at the very
least, a guaranteed minimum. You'll find most bar patrons will end up spending
an average of $50 or more on alcohol by the end of the night.
"Tremendous markup on alcohol," an instructing chef said at a Charlotte culinary
school. "Sometimes in the hundreds and hundreds percent markup."
Let's do some math.
Recently we performed at a similar, aforementioned venue. Approximately 30
people refused to pay a cover charge and enter the bar. That's $150. Based on a
$50 average liquor sales per person statistic and a 200 percent liquor markup
average according to Internet Broadcasting Systems, Inc., you're talking
thousands of dollars in missed profit and revenue even after paying your band a
flat fee. Other benefits include the increased exposure your bands get.
Naturally, if the band's good, you're more likely to increase repeat business as
a result.
Most folks who approach a bar at 10 pm and are faced with a $5 decision, aren't
going to think about any of this and make the right decision. In the end, it's
all a game that local bar owners have to be willing to play. Make the right
decision for them. Game over.
Now, let's talk about time. I've been on a crusade for some time now to convince
music venues to start their music earlier. We don't begin until 10 pm. Often
later. I surveyed 100 people on our mailing list. Average age, 27.
87 percent of those I surveyed are in bed by 10:30 pm at the latest, Monday
through Thursday. Biggest reason, "work."
92 percent are in bed by midnight on Fridays. Biggest reason, "Saturday plans."
89 percent are in bed by 11 pm on Saturdays. Biggest reason, "church" and "other
family-oriented activities."
96 percent said they would see us perform more often if we performed earlier.
The other 4 percent said they would see us perform more often if they didn't
have to travel more that 20 minutes.
85 percent said they preferred going to see a movie vs. live music. When asked
why, most said they could get off work, go out to eat, catch a 7:30 movie, spend
time with their family or significant other and still be in bed at a reasonable
hour.
There's a reason most concerts begin at 7:30 or 8 pm. Would you be more likely
to go see Fleetwood Mac in concert on a Tuesday night if they started at 7 pm or
11 pm?
The more thought and effort we put into improving and supporting live music at
every level, the more likely we're to see results. Only you can support live
music.
(09.02.04) Any Advice
"If you can't tell me what you'd like to be happening, you don't have a problem
yet. You're just complaining. A problem only exists if there is a difference
between what is actually happening and what you desire to be happening."
I was
heavily schooled for many years on piano. I was reciting classical compositions
at nine, accompanied by six years of classical training. I tackled five years of
comprehensive music theory. I studied vocally with many, many musical theatre
vocal instructors from Princeton and Julliard, among others. It's a pleasure
working with other schooled musicians like Scott McCloud, Rick Cline and Phill
Kirby, for example. We all share a language and communicate on another level.
There's a chemistry there. It's much different working with musicians with no
formal training. It's not a lesser experience by any means, just different.
I
did the jazz-thing in college. I did several variations on the cover band-thing
for many years. It all boiled down to one thing. Original music. I can play a
half-dozen instruments. So what. It doesn't matter if I play the piano or the
guitar or the kazoo. I can play an ass-load of cover tunes. So what? To exploit
a cliché, "it's all about the music." Sting is a bad-ass bassist. He plays
half-dozen instruments. So what. It's his songwriting most people think of when
Sting comes to mind. Tantric sex is a strong second.
I'm an accomplished actor.
I struggled many years choosing which road to make a heavy commitment to. What
persuaded me to take a serious music plunge was the difference between being
myself and pretending to be somebody else. As an actor, you're given the lines
and given the direction. There are elements of yourself you bring to each
character, but it still isn't something you can call your own. Henceforth, when
the time came to choose between cover music and original music, I came back to
the same notion of being myself vs. pretending to be somebody else. Therein lies
the ultimate resource for developing your own music and vocal style.
If half
your show involves Sting or Police tunes, people are going to say you sing or
sound like Sting. Why? Because you're singing like Sting. You're singing Sting
tunes. If half your show involves Dave Matthews tunes, people are going to say
you sing like Dave Matthews. Why? Because you're singing like Dave Matthews.
You're singing Dave tunes. If I wear an McDonald's uniform long enough, people
are going to think I work there. Just sing. Stop listening to other artists if
you must. What's missing from most artists these days is themselves. There are
no risks. It's karaoke at this point. What would Sting say? Seriously.
There are
occupational hazards you can't avoid. There are those who compare me with Dave
Matthews. I beg to differ. One night a girl said to me, "You sound like Dave
Matthews." I said, "If I played the same songs on the piano all night, would you
think the same thing?" She said, "Come to think of it, no." One night a guy said
to me, "You sound like Bruce Hornsby." I said, "If I played the same songs on
the guitar all night, would you think the same thing?" He said, "Come to think
of it, no."
What all this leads me to is this. From my experience, what pitfalls
artists often go through has nothing to do with anything! It has to do with
involving yourself in a project or a situation that you honestly believe in.
That's going to involve investing a serious amount of time and taking an ample
amount of risks. One of the keys to my success is keeping things simple,
willingness to travel, consistency, setting short and long-term goals and taking
risks along the way. Sometimes I make good money. Sometimes I don't. Sometimes I
win. Often I lose. But sometimes I win. I have to take the good, the bad and the
ugly. Business before pleasure. There are bad guys, but there are good guys.
There are no shortcuts.
When I started Scott Jeffrey's Band, I knew it would be
at least ten years before I noticed any serious results. Convincing a unit of
musicians to pay their dues with you for more than three is another story. Some
local artists and musicians are a prime example of what not to do. Some begin
projects, fold their cards six months later and then start something new. Some
change their name every week. Six months is a grain of sand in the large scheme
of things. I think about some of my idols or heroes. What coarse did they take?
Did they make it in six months? Did they jump from project to project? There are
exceptions, but I think you'll be hard-pressed to find any success story in the
music industry under 5 years of commitment. Let me add that remaining in a
project for a long period of time doesn't mean you can't evolve in and around
that project. In my experience, it makes it easier to evolve. It gives you a
rock. Too often musicians fail to challenge themselves and blame the marriage
they should maintain with other band members.
Cover bands are a dime a dozen.
Bar bands are a dime a dozen. Bars are a dime a dozen. They come and go like
porn stars. I can cover material 20 years from now if all else fails. So why on
Earth would I do it now? Money? Bills? Then I'm too comfortable. Modify and
simplify your situation. Only you can avoid day jobs. Drive a used car. Save.
Think about it. I'm young. They say if you put 10% of every paycheck you make in
savings starting when you're 30 years old, you'll have a million dollars by the
time you're ready to retire. I try approaching music the same way. Most
importantly, approach God and family that way. Invest the time you spend making
music more wisely. You'll get out of it what you put into it. I'll make my
colleagues a deal. 20 years from now, if none of us have risen to any level of
notable success, we'll get together and start some kind of tribute or cover
band.
(29.12.03) Happy New Year!
2003 was a year of growth for Scott Jeffrey's Band. It flew by faster than any
year I can remember of late. That may not be saying much considering I can't
remember where I left my car keys last night. In any case, 2003 saw the band
branch out considerably; from Walt Disney World to New Jersey and everywhere in
between. It's been a year of full circles. Micah, Tony and Jeff all had the
opportunity to perform their home towns; Micah in Roanoke, Tony in Richmond and
Jeff in Jersey. The band also got to meet the infamous "Laura" from the first
two albums and "Nerl" made an appearance via e-mail! 2003 saw the release of
Scott Jeffrey's Band's second album and first studio album, accompanied by the
CD release gala which was a huge success. 2003 was a year of new music. The band
made several new fans along the way. 2003 saw the band step foot into the
college arena via the Association for the Promotion of Campus Activities. They
also had the opportunity to hit a few new festivals.
As Scott Jeffrey's Band
enters their senior year of 2004, there's a lot to be excited about. A new
studio album is on the horizon. The band's performing their first dinner
showcase when they return to APCA's National Conference in Atlanta in March.
You'll see the band pairing up with a lot of other regional groups. A new Space
Machine is in the works, a new web site and I anticipate a lot more new music
this year. Please help continue to spread the Holy Word of the sjB to the
masses! Thanks for your support! The band would also like to thank their
families for believing in them.
(10.11.03) Musicians Unite in Hope for Hepatitis
A fundraiser for Central Carolina Liver Association. Sunday, November 16 from 2
pm to 11 pm at the Double Door, 218 E. Independence Blvd., Charlotte, NC,
http://www.doubledoorinn.com. Contributing Artists include Scott Seville, Loose
Change, Lenny Federal and Bobby Donaldson, Rusty Barkley and Mike Federal, Steve
Hecht, Willie Evans Trio, Mama Said, Chris Cook, Charlie Atwell Group, Robin
Rogers and her Hot Band, Contagious, Scott Jeffrey's Band, John Alexander Trio,
Abe Reid and the Spikedrivers and Delancey Street Band. All proceeds go to CCLA,
a non-profit organization which gives hope and support to those with liver
disease. This event is particularly special for me for two reasons. I'm a
carrier of Gilbert's Syndrome. Gilbert's Syndrome is a fairly common, mild liver
disorder. More information about this genetic liver disease and others is
available online by visiting the American Liver Foundation at http://www.liverfoundation.org/.
(31.03.03) Knowing is Half the Battle
Did you know Scott Jeffrey's Band bassist Micah Davidson, guitarist Tony Eltora
and I are all from Virginia? Did you know that the name of the band is Scott
Jeffrey's Band, my name is Jeffrey Scott, frequent special guest saxist Scott
McCloud is Scott Timothy and my son's name is Timothy? Did you know Tony has a
brother named Jeff? Did you know Scott Jeffrey's Band drummers Rick Cline and
Daniel Flynn both have significant others named Somer/Summer? Did you know
former Scott Jeffrey's Band drummer Darrin Harwell's father and my father are
the exact same age and were born on the exact same day? Did you know "Northern
Accent" was partially tracked at a renovated Catholic church I once attended?
Did you know special guest percussionists Phill Kirby and Rick Cline were both
music majors at Lenoir-Rhyne College? Did you know Rick unknowingly played kit
and percussion in the pit of a variety of musicals I headlined long before
launching Scott Jeffrey's Band? Did you know my wife and Rick's wife ironically
are from the same area, same high school, are of the same age, attended Girl
Scouts together and are the same age difference between Rick and me? Now you
know, and knowing is half the battle.
(05.01.03) Happy New Year!
Happy New Year! Well, well, well. Thus begins Scott Jeffrey's Band's junior
year. Hindsight is 20/20 and it's been an amazing year; 189 performances. It's
been a year of much change. We've seen the arrival of my beautiful boy Timmy and
Carol Anne's return as special guest! We've featured and collaborated with some
incredible musicians including Lenoir-Rhyne Percussion Program's Rick Cline of
Hickory, Charlotte saxist Scott McCloud of the Scott McCloud Group, Atlanta
saxist Jason Passmore, Richmond guitarist J