Drawing a Line Before Others Define Who You Are

August 8, 2009
jshartman

What’s right and good doesn’t come naturally. You have to stand up and fight for it as if the cause depends on you, because it does.Bill Moyers

All that is necessary for evil to triumph is for good men to do nothing.Edmund Burke

Take your pick. I once shared, “I think it’s easier to write when you’re younger because you have a certain arrogance, a certain confidence. You don’t question your beliefs when you’re young. You look at things in terms of black and white and as I get older, shades of gray tend to creep in. ‘Maybe I’m not 100% right.’ ‘Maybe the other guy’s got a point of view.’ You tend to become a little more rabbinical. The more I find out the less that I know.” James 1:19 says, “Be quick to listen and slow to speak.” It’s a good lesson we learn over and over again. The question becomes, “When do you put your foot down?”

I recently wrote the lyrics, “A lot can be said about making the bed that we sleep in; drawing a line before others define who you are.” I tread heavily in an environment filled with ambition trumps relationships trumps ethics, etc. I’ve seen kids, parents and colleagues alike bend at will with stars in their eyes to the power of ambition.

Some folks refuse to eat meat. Some refuse to step foot on the internet or jump on the social networking bandwagon. Some folks refuse to eat at a particular restaurant as a result of poor service. My wife recently lifted her very own personal boycott on Pizza Hut after a terrible experience. I still give her jazz about it. It’s unfortunate the frivolous battles we choose and the virtuous battles we choose not to fight as Christians. My “boycotts” are far between and few and often passive protests in the spirit of something JFK once said, “It is in the American tradition to stand up for one’s rights, even if the new way to stand up for one’s rights is to sit down.”

Folks aren’t likely to quit eating because of a bad meal, but most of us know someone who stopped eating a certain food or going to a certain restaurant. Would you ask a food-poisoned person to keep ordering the same dish at the same restaurant or would you acknowledge his right to consider alternatives? When someone experiences spiritual “food poisoning,” is it their duty to keep coming back for more? Quite often the answer seems to be “yes.”

Although I wasn’t a fan of the late Jerry Falwell, his son said something recently that makes a lot of sense.

It has become common in the modern culture for people to defend wrongdoers when those individuals are members of their team or their political party or their family. Sadly, I have seen this culture even invade the church.

So what’s the problem? I chiefly see this as a dilemma that can infect our children while further serving to break down our national morality.

Let’s examine a hypothetical situation. Let’s say a father is a lifelong Boston Red Sox fan who has raised his son to also be a loyal team supporter. When it is revealed that Manny Ramirez and David Ortiz have used illegal performance-enhancing drugs, the father says, ‘That’s okay. Those guys are part of our team.’

The son’s views on baseball, sportsmanship and even the law are affected by the father’s sentiment. Does the son grow up thinking it is alright to defend others’ misdeeds or even his own wrongdoing? Maybe drinking and driving, cheating on his taxes, cheating on his wife? Sin often begins small but the cycle can become unbreakable.

We need to teach our kids that misconduct bears, or at least should bear a cost. Our personal ethics should not be attached to who is affected by what we believe. Rather, our ethics should remain in place no matter whom or what is affected by those standards. Ethics that change with the situational tides are not ethics at all; they are policies of convenience.

As a Christian father, I find myself continually examining my life to ensure that I am a living example to my children, who are certainly scrutinizing my actions more than I realize. I don’t want to ever send the wrong message to them through my carelessness or self-serving ways of life. My personal ethics should be based on God’s Word, which does not change, and not on the existential policies of man that are constantly compromised.

I Corinthians 10:31 says, ‘Therefore, whether you eat or drink, or whatever you do, do all to the glory of God.’ (NKJV).

As Christians, we need to take this verse very seriously. Instead of being wishy-washy people who will selfishly counteract our ethics or our doctrines on a whim, we must live joyous and holy lives that point to Jesus Christ as the lone source of our personal conduct. That’s the ethical core our children must see every time they observe us through their always watchful eyes.Jerry Falwell, Jr.

I think there is this idea that standing up for something means you have to chain yourself to a tree or march in circles for twelve hours with a goofy sign. It can be as simple as turning your attention to something or someone else. I often think of it in terms of television. Change the channel! If we don’t contribute to the ratings, they’ll seriously reconsider their programming. Think the opposite of Nike’s famous slogan, “Just don’t do it.”

And if any place will not welcome you or listen to you, shake the dust off your feet when you leave as a testimony against them.Mark 6:11

I am not bound to win, but I am bound to be true. I am not bound to succeed, but I am bound to live by the light that I have. I must stand with anybody that stands right, and stand with him while he is right, and part with him when he goes wrong.Abraham Lincoln

Summer Concert Series

July 18, 2009
jshartman

Advanced tickets are now available for Jeff Hartman with Furry Greene Fox and introducing the Shannon Underwood Project at The Firemen’s Kitchen in Hickory, NC on Saturday, July 25! $8 advance | $10 door | $5 students.

Original music often escapes Hickory venues and events. Jimmy Rhine and Five Head Entertainment in coordination with Hickory Theatre are offering original artists and music lovers alike a novel opportunity to inhale something fresh and early with their Summer Concert Series.

The series continues at The Firemen’s Kitchen on Saturday, July 25th with Jeff Hartman & Friends featuring Furry Greene Fox. Folks will also have an opportunity to catch the debut of the up-and-coming Shannon Underwood Project.

It’s family-friendly and a great place to hear original music before 10 pm. The Firemen’s Kitchen of Hickory Theatre is the closest thing Hickory has to an intimate, non-bar/restaurant, live music concert venue.

“We’ve been on a crusade for some time now to convince music venues to start their music earlier,” Hartman says. “There’s a huge demographic of original music lovers in Catawba and surrounding counties in bed by 10:30! I’m convinced most folks would support more music, more often if artists had an opportunity to perform earlier. Most folks prefer a movie over live music because they can get off work, go out to eat, catch a 7:30 flick, spend time with their family or significant other, and still be in bed at a reasonable hour. There’s a reason most concerts begin at 7:30 or 8 pm. Would you be more likely to go see Fleetwood Mac in concert on a Tuesday night if they started at 7 or 11 pm? The more thought and effort we put into improving and supporting live music at every level, the more likely we are to see results. Only you can support live, original music!”

Jeff Hartman has been touring and promoting original music professionally for over 15 years. Hartman most recently had the privilege of performing for Supreme Court Justice Alito at The Lafayette Room of the Hay-Adams across the street from The White House. The President took residence at the Hay-Adams prior to his inauguration. A published poet and influenced in equal parts by folk and funk artists alike, Jeff’s songs are a mix of “dazed beauty and bitter-sweetness.” Here are tales of abuse and misuse, of vulnerability and resolve, poetic trances like the Appalachia-esque “Erica’s Song” and the biographical “Northern Accent.” Friends include Shannon Underwood, Carol Anne Hartman, Phill Kirby, and Forrest Brown. The Shannon Underwood Project includes members of Jeff’s group and debuts actress Shannon Underwood’s singer/songwriter side in a role few have seen. shannonunderwood.com

Furry Greene Fox sprung out of the backcountry of Hickory in the backyard of the Blue Ridge Mountains. The band consists of Laura Diane Greene and Natasha Fox. Their original music mixes the sounds of the acoustic guitar with banjo, organ, violin, and harmonica.

Visit the following link to order your tickets online!

sellingticket.com

Please continue to visit fiveheadentertainment.com for more information about their summer concert series and support all of the wonderful original artists. Original music finally has a home in Hickory!

God bless you and thank you for supporting performing arts!

Saturday, 7/25/2009 The Firemen’s Kitchen HICKORY, NC
Jeff Hartman appearing with Furry Greene Fox from 8 pm
Introducing Shannon Underwood

For tickets please contact Five Head Entertainment at 704-473-0739 or visit sellingticket.com
fiveheadentertainment.com

The Firemen’s Kitchen
30 Third St. NW
Hickory, NC 28601
828-327-3855
hickorytheater.org

When Saturday Night Met Sunday Morning

July 15, 2009
jshartman

This is a subject I’ve been discussing and debating for many years with friends and colleagues (and my wife).

I have a Shania Twain CD Maxi-Single that came out years ago. “From This Moment On” is the name of a song. What’s interesting to me about this single is that there’s two versions of the same song on the CD. It came out during the “crossover artist” boom in the mid-’90’s.

  • “From This Moment On”
  • “From This Moment On” [Country Version]

So, what makes the “country version” “country?” Answer: A steel guitar. The rest of the song is exactly the same. What makes a “rock song” “rock?” I’m sure most sensible folks would disagree with the following statements.

Rock music is sex. The big beat matches the body’s rhythms.Frank Zappa (Life, June 28, 1968)

That’s what rock is all about – sex with a 100 megaton bomb, the beat!Gene Simmons (Entertainment Tonight, ABC, Dec. 10, 1987)

Do folks at our church associate rock with sex? I doubt it. A hammer can be used to build a house for a family, or it can be used to kill someone and destroy a family.

I mention all of this, because I often say to myself, “Self, what makes a ‘Christian song’ ‘Christian?'” Is it the word “Jesus?” Is it the songwriter? Is it our perspective? If we were told that “My Father’s Eyes” was written by Chris Tomlin as opposed to Eric Clapton, would we have given it a second thought? If so, why? Most of the time we don’t know who the songwriter is. 9 out of 10 tunes these days, “secular” and “Christian” are written by union songwriters. Scan the credits. What do we know about those songwriters and their lives? Does it matter? “Third Day,” one of the top selling Christian-rock bands out there today, used to be a bar band called “Nuclear Hoedown.”

There are so many layers to this debate. I am also a secular artist and I think most responsible secular artists have an interesting take on this. I look forward to opportunities to bring my Christianity to a secular music situation and vice versa. My perspective is layered even further since I do a lot of weddings and wedding receptions as well. It never ceases to amaze me the different combinations of music folks involve in their ceremonies to represent their love and their vows before God. A recent wedding I performed involved the following in the ceremony.

  • Prelude: “Braveheart Score”
  • Processional: “Somewhere Over the Rainbow” from The Wizard of Oz”/”What a Wonderful World” by Louis Armstrong
  • Bridal March “Annie’s Song” by John Denver
  • Recessional: “Everlong” by Foo Fighters

Kudos to this beautiful couple who used such a wide variety of music in such a spiritual, uplifting way!

A good friend of our once sang “Morning Has Broken” at a funeral. I’m fascinated by the journey this song has taken through sacred and secular circles, artists and attributions.

Morning Has Broken” is a favorite and well-known Christian hymn, especially popular in children’s services. Cat Stevens included an acoustic version on his 1971 album Teaser and the Firecat. It became a signature song for Stevens when it reached number 9 in the charts in 1972.

The lyrics were written by Eleanor Farjeon in 1922 and are found in the hymnals of many denominations. The original poem can be found in the anthology “Children’s Bells” under Farjeon’s original title A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The tune to which it is normally sung is called “Bunessan,” based upon a Scottish Gaelic traditional melody. Before Farjeon’s words, it was used as a Christmas carol which began “Child in the manger, Infant of Mary,” translated from the Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the hymn “This Day God Gives Me.”

Writing credit for “Morning Has Broken” has occasionally been erroneously attributed to Stevens, who popularized the song abroad. The familiar piano arrangement on Stevens’ album was performed by Rick Wakeman, a classically trained keyboardist with the English progressive rock band Yes. In 2000, Wakeman released an instrumental version of “Morning Has Broken” on an album of the same title.

The familiar piano intro and general structure of the piece may be attributed to Stevens or to Wakeman. Although some sources report that the song was released on Floyd Cramer’s 1961 album Last Date, discographies of the artist demonstrate that the song is not on that album. In fact, Cramer did not record the song until 1972, when he used the arrangement that he attributed to Cat Stevens.

The song has been recorded by numerous other artists, including Judy Collins, Floyd Cramer (twice), Dana, Neil Diamond, Art Garfunkel, Nana Mouskouri, Aaron Neville, Kenny Rogers and the First Edition, Sister Janet Mead, Roger Whittaker and Ellen Greene recently on Pushing Daisies.

Cat Stevens converted to the Islamic faith in 1977 after a near-death experience and officially took the name Yusuf Islam in 1978. “Morning Has Broken” continues to be attributed to Cat Stevens or “Yusuf Islam.”from Wikipedia

I appreciate but respectfully disagree to a certain degree with anti-secular music sermons regarding professed Christian artists who sing other lyrics that undermine Christian faith and values. My focus is mostly, and I believe has to be, on the message of a particular song, secular or religious, and less the artist or songwriter or the “label.” I believe God works through all folks whether they know or like it or not.

Here’s an interesting article on this subject by Pastor Tim Stevens.

pastors.com/RWMT/article.asp?ArtID=9948

My favorite part is “Paul did this when he quoted from a famous poet of his day (Acts 17:28). He wasn’t saying, ‘I agree with everything this poet wrote.’ He wasn’t saying, ‘Read all of his poems.’ He was just using a well-known secular poem to connect with his listeners in order to help make a change in their lives.”

Selling Out

July 10, 2009
jshartman

Those who stand for nothing fall for anything.Alexander Hamilton

Try not to become a man of success, rather try to become a man of value.Albert Einstein

I’ve been in the professional performing arts business for 15+ years. If there’s one thing I’ve learned the hard way, it’s that values are typically the first thing artists “sell out” in terms of money, success and the prospect of opportunity. I see it all the time. Been there, done it. Artists by nature put themselves in a position of needing to take what they can get at any cost. I do my best to encourage my students and colleagues to sustain their values and integrity in the industry. It’s hard to convince folks that success in the Lord often means “leaping” your faith and forfeiting earthly, misguided goals and misleading opportunities. It’s a hard pill to swallow when the wrong folks are telling you exactly what you want to hear. It’s even harder teaching the art of identifying these things. Such wisdom is only born in the wake of making our own mistakes.

Seek to increase God’s success and He will give you your own without selling out your values, without sacrificing your family and all for His glory.Nicholas J. Davidson

Luke 12:22-34

22Then Jesus said to his disciples: “Therefore I tell you, do not worry about your life, what you will eat; or about your body, what you will wear. 23Life is more than food, and the body more than clothes. 24Consider the ravens: They do not sow or reap, they have no storeroom or barn; yet God feeds them. And how much more valuable you are than birds! 25Who of you by worrying can add a single hour to his life? 26Since you cannot do this very little thing, why do you worry about the rest?

27″Consider how the lilies grow. They do not labor or spin. Yet I tell you, not even Solomon in all his splendor was dressed like one of these. 28If that is how God clothes the grass of the field, which is here today, and tomorrow is thrown into the fire, how much more will he clothe you, O you of little faith! 29And do not set your heart on what you will eat or drink; do not worry about it. 30For the pagan world runs after all such things, and your Father knows that you need them. 31But seek his kingdom, and these things will be given to you as well.

32″Do not be afraid, little flock, for your Father has been pleased to give you the kingdom. 33Sell your possessions and give to the poor. Provide purses for yourselves that will not wear out, a treasure in heaven that will not be exhausted, where no thief comes near and no moth destroys. 34″For where your treasure is, there your heart will be also.

JC is the HD!

June 12, 2009
jshartman

I remember the first CD my father brought home to play on our brand-spankin’ new, family CD player. It was 1986 and the CD was “Born in the USA” by Bruce Springsteen. The sound was incredible. Just when I thought cassette tapes couldn’t get any better, compact discs changed the way I heard music forever. Fast forward a decade when I experience DVD for the first time. Wow! The clarity, the sound, the features! Just when I didn’t think home video could get any better, DVD changed the way I viewed movies forever. Just when I didn’t think home entertainment could get any better, Blu-Ray and hi-definition have arrived. All of this got me thinking about Christ. When Christ is at the front of the line and the center of our lives, he clarifies everything. He is the hi-definition in our lives. We appreciate everything more. We pay a little more attention. We love a little bit deeper. “The day is brighter,” “the night is lighter.” JC is the HD!

Save the date! Book a House Concert & more!

June 2, 2009
jshartman

Save the date! Jeff Hartman & The Other Brothers with Furry Greene Fox and introducing the Shannon Underwood Project at The Firemen’s Kitchen in Hickory, NC on Saturday, July 25! $8 advance | $10 door | $5 students. Formal invitation to follow! Continue to visit fiveheadentertainment.com for more information about their Summer Concert Series. Original music finally has a home in Hickory!

Book a House Concert! What’s a “House Concert?” It’s exactly what it sounds like. The fastest-growing trend in live, original music is to bring the artist to your home and invite all your friends and family! For tips and more information on booking a house concert, please call Plastic Moon at 828-291-7227 or email booking@plasticmoon.com.

Willing the One Thing

May 28, 2009
jshartman

Jeff, As Ruth said to Naomi, ‘Wherever you go, we go!’ (Ruth 1:16) Seriously. You are amazing! I can’t tell you how much you mean to Lauren. You know her style and ability better than anybody. When we began lessons with you 4 years ago, we found a friend for life. We have been talking about trying to find someone who can really help start putting them together. That someone is you! The girls can not do this without you. You would never be competing for the girls’ attention. You are their primary source of instruction. I want their time with you to be focused on producing, recording—implementing their music. You two rock my socks and flip my flops! Brooke feels you are the only person who really ‘gets’ her and helps her to understand what she is trying to accomplish and then can turn around and teach her how to achieve it. We love you! I understand completely where you stand and agree with your philosophies! We are to be set apart. Maybe you have had others who could just walk out of your lives, but there are just people worth fighting for. Just suffice to know we love you, pray for you and care deeply for your family.Carrie DeLeary, Parent

These were and still are priceless patches of endearment, great sources of strength for us through uncertain times and lasting lessons in trust and loyalty—from May 1, 2006 on.

Writing, arranging and recording is a full-time gig. Space and focus is everything if you want your music to be the best it can be. My last studio album, between touring, took me exactly one year (August to August) to complete. I’m currently sitting on a new live album, a new studio album and a new praise & worship album. Why? Because I know I can’t devote the necessary time and resources to any of them with respect to my current schedule and other commitments. The last thing I want is for others involved to be more involved and available than I can be! When the time is right, Carol Anne and I will pave a way and sacrifice to make them all happen.

I had to choose between theatre and music at some point. Can you do both? Absolutely. I’m living proof. But not simultaneously. Not really. One suffers the other. Both annex too much time and commitment. It’s a question of quantity vs. quality. Some might say it’s a question of insanity vs. sanity!

From a spiritual and scriptural point of view, “Willing the One Thing” from “Shells” by Rob Bell, comes to mind.

Parenting is a full-time gig. Praise & worship is a full-time gig. Teaching is a full-time gig. Building and maintaining strong relationships with family and friends is the full-time gig. I need to work on “willing the one thing” in my life. God steers us in new and unexpected directions. Say “no” so that you can say “yes.”

Sometimes it’s more obvious to others what one should be doing with his or her time. I got that speech later than sooner. This idea of throwing as many career paths against the wall and wondering which one sticks, slows you down and gets in the way. In the immortal words of Nike, “Just do it!” Be focused. Be purposeful.

At the end of the day, limits are an artist’s worst enemy. Happiness is what matters most and if you’re happy, that’s a good thing.

Be yourself; everyone else is already taken.Oscar Wilde

Never write or perform based on what you think others, including your fans, friends, family, etc. want to hear/see. Be you and only you, otherwise it’s easy to lose yourself—and for the love of Mike, never carry a celebrity air about you unless you are and steer as far away from selfies, branding a crowd your “fans” (unless they are) and don’t pretend it’s a privilege to follow and support your career and artistry with “Backstage Pass” gimmicks, for example. It’s self-indulgent. It’s a reality show you’ve created for yourself, not a genuine reality that reflects your body of work. If you’re wearing your own merchandise, you’re dizzy, to put it lightly.

Producing aside, I adore writing sessions. I believe in students to tears. I don’t believe in just anybody with the passion that I believe in some. In other words, I’m hard to impress! I didn’t have someone willing to go to bat for me when I was young. I had to claw my way up through the circuit from scratch. Now I have my very own place and have so much in store for writers/artists to season their skills and apply it to any project they’re involved in.

We normally keep each skill study quarantined. We teach guitar, piano, etc. We also do half-hour and hour-producing/songwriting sessions for aspiring songwriters—a singer/songwriter program. Any guitar, piano, voice, etc. I teach can be in tandem with those writing sessions if applicable to help support the songwriting and performance aspects of the songwriter.

I’m more interested in producing, developing songwriting skills, the process and the autonomy of the artist as opposed to just co-writing and grabbing publishing credits. It’s always great to write with different songwriters and I encourage that. Be careful not to water down your publishing rights, though. There are a lot of songwriters that feed on artists and will encourage “tweaking” a “done-written” song that’s ready for producing/arranging, in order to attach themselves to a publishing split. This is why a lot of artists in my circles have left Nashville and L.A. for Austin, Boston, Atlanta and other areas, in an effort to avoid these songwriting unions and conglomerates. They’re called “Songwriting Syndicates.” There’s a big difference between paying a flat fee for producing/arranging as opposed to co-writing/publishing splits. A great example of this is to look at the number of co-writers on any given song in any circle you may be operating within. Again, I’m more interested in standing artists on their own two feet so they can “get on with it,” so to speak.

You can feel woven into someone’s fabric. There’s nothing more embarrassing than overestimating your worth in someone else’s eyes. Surrender your desire for relevance in a business that’s all about relevance and you’ll discover the sincerity necessary to sustain an artistic career.

Some studios openly discourage humility, particularly in the Christian sense and some go as far as to cite certain students as to how those students are going to “put them on the map.” We’re meant to help you put yourself on the map! We take further issue when youth-based studios allocate fundraising towards projects/productions highly inappropriate for kids. It’s irresponsible. These are deep, competing philosophies.

We openly discourage teaching private voice, for example, to any student taking private voice from another instructor. It’s not fair to either instructor or the student. There’s competing interests. Competing methods. Producing is often part of the package. When I strictly focus on producing, in the strictest sense of the word, problems often surface when other private instructors steer the artist(s), particularly their voices, in different directions. We’ve been down that road and it becomes a bigger problem than you might think. There is a clear understanding with me that developing artists can take as many dance or other group classes under the sun, but privates are either or.

I approach private sessions with love, accountability and great care. I want nothing but the best for those I develop. I work hard on “willing the one thing.” God steers us in new and unexpected directions. The last thing either of us should want is for neither of us to give each other the time and attention we both deserve. I’m still and always will be here for prior students as a friend or mentor. Some developing artists are beyond private lesson 101’s and ready to be “produced” when the grip on other commitments loosen.

Treat people as if they were what they ought to be and you help them become what they are capable of becoming.Goethe

Recording

How much time are you wasting in the studio? Hours? Days? Months? Years?! Here’s some perspective… Days The Beatles Spent in Studio by Album… Please Please Me: 3; With The Beatles: 7; A Hard Days Night: 8; Beatles For Sale: 8; Help: 12; Rubber Soul: 17; Revolver: 33; Sgt. Pepper…: 55; Magical Mystery Tour: 33; The White Album: 73; Yellow Submarine: 18; Abby Road: 47; Let It Be: 13; Total Days Together: 2735 (7.5 years); Total Days in Studio: 327

Publishing

BMI and ASCAP mostly deal with performance and pay-per-play/broadcast and rarely stay on top of monitoring anything. Concern yourself with mechanical and digital distribution license royalties and your percentage. Unless anyone else you write with is registered with Harry Fox, they have to keep track/audit the percentages and cut checks themselves. I have to do that with my own publishing.

BMI does apportion 200%. Typically, 100% of the 200% is set for the publisher. The other 100% is then divided between songwriters. Arrangements and recording performances aren’t considered a writing credit, but rather a flat production fee paid to musicians and producers. Sometimes producers work out writing credit as payment, otherwise it’s typically a flat fee. BMI does now allow for live performance royalties. Publishing/writing can be a nasty biz, especially in “Cashville,” which is why I learned the do’s and don’t’s early on from my mentors, producers and instructors. I’m working on publishing a film soundtrack under my label and dealing with folks like Avalon. Film and cue sheets are even messier publishing stuff.

An askhole is someone who constantly asks you for your advice, yet always does the opposite of what you tell them!R. Lawrence